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Track Listings
| 1. The Blitz 1940 |
| 2. Evacuating London |
| 3. The Wardrobe |
| 4. Lucy Meets Mr Tumnus |
| 5. A Narnia Lullaby |
| 6. The White Witch |
| 7. From Western Woods To Beaversdam |
| 8. Father Christmas |
| 9. To Aslan's Camp |
| 10. Knighting Peter |
| 11. The Stone Table |
| 12. The Battle |
| 13. Only The Beginning Of The Adventure |
| 14. Can't Take It In |
| 15. Wunderkind |
| 16. Winter Light |
| 17. Where |
Product Description
Product Description
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Customer Reviews
The music is absolutley beautiful and it really does connect well with how you picture Narnia to be. Its very emotional and really feels as if you are going on a Narnia journey yourself as you listen. I think in itself the music is wonderful but I think this is heightened by being connected to Narnia as it creates a feeling of magic and childhood nostalgia.
I chose to buy this edition because I'm a big fan and collector of anything Narnia. My advice is, buy the other version if you just want the music. If your a fan and follower of the books and the film, buy this version.
Beautiful classical sounds including a lovely song by Alanis Morrisette.
Well worth buying
The movie's events can almost be traced by the soundtrack events: It opens with the ominous, rough "The Blitz, before switching to the delicate, sad strains of "Evacuating London." From there on, there are all kinds of songs, to match whatever is going on in the movie -- the peace and grandeur of Aslan's camp, the thrill of meeting Father Christmas, the sadness and horror of the sacrifice, the excitement of a coronation, and the beauty and sorrow of a doomed battle.
If it sounds glorious, it is. Gregson-Williams makes the music sound both fantastical and rich, as the movie needs. The most haunting song is only a minute and a quarter long: Tumnus' "Narnia Lullaby," a flute song backed by tribal drums. It starts off soft, but slowly grows more intense and eerie.
Oh, and a note to moviegoers: That exquisite, soaring ballad that you heard as the credits started was NOT Alanis Morrisette. It was electro-pop singer Imogen Heap. "Oh, empty my heart/I've got to make room for this feeling/So much bigger than me," she sings over an increasingly epic tip-hop backdrop. Man, she was robbed.
Not that Morrisette's song is unworthy -- her "Wunderkind" is a solid production, earthier and more rock-y, but still with an otherworldly charm. Her song sounds like an ode to Lucy, "And I am a magnet for all kinds of deeper wonderment/I am a wunderkind/I am a groundbreaker naïve enough to believe this/I am a princess on the way to my throne..."
Next to thise, Tim Finn (formerly of Split Enz) sounds jarringly un-ethereal. He just doesn't fit in with the other music; he might on another soundtrack, but here he just had me reaching for the skip button. Fortunately, Lisbeth Scott's brief, slightly mournful "Where" suits the soundtrack very well.
While one of the singers doesn't fit the soundtrack, the score for "The Lion the Witch and the Wardrobe" is a solid one, with plenty of standout tracks.
Harry Gregson-Williams' score is flawless, magical and layered. Read more
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