Review
'A stunning debut and an absorbing page-turner. Veronica Buckley writes with immense style, vitality and great humanity. The fascinating tale she weaves is as compelling as the most riveting of novels.' Alison Weir
Mention Queen Christina of Sweden and many people recall Greta Garbo striding around in swashbuckling mode. Veronica Buckley's debut biography expertly debunks the Hollywood vision with this intimate portrait of the truly startling original. Far from having film star looks, Christina at eighteen stood less then five feet tall with uneven shoulders, large nose, gruff voice and no back teeth. Her only redeeming feature (since she later shaved her head!) would be a pair of beautiful blue eyes. The Queen hated all the normal female interests, including 'the distasteful duty of bearing children'. She preferred cannons, swords, hunting and fencing, used coarse language, told bawdy jokes. Although she enjoyed learning, she merely 'dabbled' in astronomy, history, music and dance, collecting a reluctant Descartes en route as a trophy philosopher. Avoiding attempts to marry her off, she studied Roman Catholicism whilst still head of the Lutheran Church and decided to abdicate, naming rejected suitor Karl Gustav her heir. (Kirkus UK)
Newcomer Buckley catches in all its peculiarity the life of a woman who abdicated Sweden's throne primarily because she couldn't stand all that pressure to get married. With considerable polish-and an occasional tilt to the baroque that befits its subject-Buckley tells the story of Christina (1626-89), a curious and by no means unentertaining soul who was also a real bundle of damaged goods. She was born into what was for all intents a medieval kingdom: rural, racked by war, and surrounded by enemies (Austrian Habsburgs, Poland-Lithuania, Denmark, not to mention the Ottoman Empire). Her simpering mother was lost to profound mental disarray; her father's shadow dimmed all around him. Thrust into the role of queen at age six, Christina made every bad move available. In hopes of resuscitating the royal coffers, she sold titles and gave away royal land, which accomplished just the opposite; she tried to be crafty, but succeeded only in giving offense and looking the fool; she gathered together a fractious academy that managed to result in the death of Descartes. All this, and the ever-present wealth of intrigues and secret alliances, is comfortably spelled out by Buckley, who is not unsympathetic to the pathetic Christina, but doesn't cut her any slack, particularly when dealing with her absurd plot to steal the throne of Naples and her order to execute one of her retinue, a murder retold in grisly detail. The queen connived with cardinals; she loathed Sweden's Lutheranism with its motto-"Let women bear children unto death"-and her own sexuality, as Buckley explains, was a mystery. She bled the Swedish coffers to finance her lavish habits and generally had as much fun and made as much trouble as possible. Correctly described by the author as "a sad tale . . . of promise unfulfilled, and of strength thwarted by weakness," but also as good a case as any against the existence of royalty. (Illustrations, not seen) (Kirkus Reviews)
The Observer
"Christina lived in the most extraordinary life in the most extraordinary times and this engaging book does her full justice."
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