The Parisian producer apparently went to his native Vietnam on a holiday and found a load of records, brought them back to France and sampled them into hip hop breaks. That was Chin' vol 1, finely exampled by his switch of the "war" sample from 6/8 time to standard 4/4 but lacking a good drum beat. This is vol 2 and I think the best jams are "Gotta Go" and "Mrs Ho" although really I could reel off two thirds of tracks that are my favs like a good art book where you convince yourself that THIS is your fav piece and then you flick the page and you're like, "now this one's my fav," and so on. It's just a refreshing joint right the way through cuz of the different vernacular that he gets from instruments and styles not usually shaped into the genre. Obviously with a departure from the usual, the propensity for it to sound wrong is high, but he really nails pretty much every one. More, he produces the drums and bass maybe to a Dilla standard on a lot of them, with a lot of tape-sounding distortion on those added elements to congrue the dusty samples and also to give that "loud" hip hop sound where it almost feels a bit too big for your speakers, which is a mature thing. Basically the main lesson is that there aren't too many soul samples left and I think hip hop's been getting a bad name not only for the commercialisation and boxer promo talk-up, flopping the fight, but the desperation of the producer's sampling, epitomised by Kanye. They all need to get over to Vietnam and check some new flavours... I could write a lot more but I'll leave it for someone else. 4 or 5 stars.
Mondegreen