For years I've listened to Rodney Crowell's music, wondering where the fiction begins and the "truth" ends in his songwriting. With "Chinaberry Sidewalks," the pieces all come together in this riveting memoir of his crazy quilt childhood in Texas. As I read "New Year's Eve, 1955" (the first chapter) my nose drew closer to the page, my pulse quickened and I realized I was in for one hell of a joyride.
Crowell creates full characters in his book - full of insanity, pathos and love.
Reluctantly accompanying his mother during the Pentecostal-soaked summer of 1955, Crowell writes: "Hating these holy-rolling, speaking-in-unknown-tongues free-for-alls she loves so well, I do my best to make the trip more miserable than it already is."
But even under the preposterous tutelage of a hellfire-and-brimstone preacher - "that poor man's Billy Graham," Crowell discovers a moment of grace, "In the wink of any eye (the preacher's), I saw a compassionate, tolerant and nonjudgmental God of love and great humor. My own faith was planted as a seed that morning, and there are days its fruit sustains me still."
Like Brenda Peterson's memoir, "I Want to Be Left Behind," it takes those who have survived a childhood of "chock full of sin" to speak with the authority of forgiveness, wisdom and love. As Crowell says in his song. "I know all I need is love." And he proves it with "Chinaberry Sidewalks."