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Chimeric Machines

Chimeric Machines [Kindle Edition]

Lucy A. Snyder

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Product Description

Product Description

This collection from rising author Lucy A. Snyder (Spellbent, Installing Linux on a Dead Badger) offers three dozen poems to delight readers who enjoy sly wordplay and subtle allusion, high intelligence and fierce heart.

"Snyder's work is complex yet grounded. You can read it on several levels and it'll work on each and every one. It's lyrical but rooted in authenticity and validity. There's truth here, and tackling the truth is the highest calling of any poet.

"She's been through the trenches; she knows the way the world comes down. You can feel it in the work. You're not just looking at words in a book, you're regarding a life that's been opened up and splashed down on the page. This lady is not only courageous, she's fearless. We need more like her to give us that grand plucking of the guts." - Tom Piccirilli, author of The Midnight Road and Waiting My Turn to Go Under the Knife, from his introduction

"There is nothing illusory or mechanical about these poems. They take us on a marvelously eclectic journey, with a cast that includes a black hole voicing its thoughts and a dead man coming 'Home For the Holidays.' Read and be dazzled." - Christopher Conlon, author of Mary Falls: Requiem for Mrs. Surratt and Midnight on Mourn Street

Product details

  • Format: Kindle Edition
  • File Size: 116 KB
  • Print Length: 95 pages
  • Page Numbers Source ISBN: 189495355X
  • Simultaneous Device Usage: Unlimited
  • Publisher: Creative Guy Publishing (1 Jan 2010)
  • Sold by: Amazon Media EU S.à r.l.
  • Language: English
  • ASIN: B0036VOBWI
  • Text-to-Speech: Enabled
  • X-Ray:
  • Word Wise: Not Enabled
  • Amazon Bestsellers Rank: #942,068 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
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More About the Author

Lucy A. Snyder is the Bram Stoker Award-winning author of the novels Spellbent, Shotgun Sorceress, and Switchblade Goddess as well as the collections Sparks and Shadows, Chimeric Machines, and Installing Linux on a Dead Badger. Her writing has appeared in Strange Horizons, Weird Tales, Hellbound Hearts, Masques V, Doctor Who Short Trips: Destination Prague, Chiaroscuro, GUD, and Lady Churchill's Rosebud Wristlet.

She was born in South Carolina but grew up in San Angelo, Texas. She currently lives in Worthington, Ohio with her husband and occasional co-author Gary A. Braunbeck.

Lucy has a BS in biology and an MA in journalism and is a graduate of the 1995 Clarion Science Fiction & Fantasy Writers' Workshop; her classmates included authors Kelly Link and Nalo Hopkinson. Since January 2010, she has mentored students in Seton Hill University's MFA program in Writing Popular Fiction.

She has also worked as a computer systems specialist, science writer, biology tutor, researcher, software reviewer, radio news editor, and bassoon instructor. In her past life as an editor, she published Dark Planet and selected poetry and software reviews for HMS Beagle. She currently produces a column for Horror World on science and technology for writers and coordinates the writing workshops at the annual Context conference.

Customer Reviews

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Most Helpful Customer Reviews on (beta) 5.0 out of 5 stars  7 reviews
5 of 5 people found the following review helpful
5.0 out of 5 stars So you don't usually read poetry... that's allright. Try this. 17 Jun 2009
By Trista Robichaud - Published on
Lucy Snyder distils emotion into words and wraps genre tales in tight syllables. Her poetry dances, full of wit and humor and a sneaky backhanded bite. She tells the truth, and tells it slant; for she has seen life's pain and is not afraid to laugh with you.

I loved her honesty, and her layered levels of meaning. As a student struggling at a non-Ivy State University, I have felt her rage at elitist professors in the poem `Dumb'. Additionally I love Lucy Snyder's titles. In `Sofa Nervosa', we step into the window of a housewife's life as her cat leaves `a comet of vomit, a fishstinky hairball' and her reaction to the coming Apocalypse on the news... for a starlet has shaved her head. In `Prometheus' and `The Fish and the Bicycle' we explore unexpected desires. A series of poems set in Crete, Kentucky illustrate in snapshots sordid smalltown tragedy. Lastly, anyone who's done time in `grad school' intimately knows the characters in `Searching for Signs of Life in the Bottom of a Cup of Cold Coffee'. Perhaps you see one in your mirror.

This is not poetry to bore you, sandwiched and sanitized, gruel for high school classroom consumption. You're not required to map, measure, spindle or explicate it. There are depths to plumb if you're so inclined, a rich and complex labyrinth of meaning and emotion. However, I'd strongly recommend - at least the first time through - you simply enjoy this awesome book.
3 of 3 people found the following review helpful
5.0 out of 5 stars Poetry like no other 13 July 2009
By Nickolas Cook - Published on
Chimeric Machines
By Lucy A. Snyder
Reviewed by Nickolas Cook
Creative Guy Publishing

Back in 2007, I did review of Lucy Snyder's short story collection, "Sparks and Shadows" (HW Press, 2007), and was blown away by her ability to cut and kiss with the same sentence. It was an astounding collection that rightfully garnered accolades from many genre reviewers and professional organizations. Now Lucy Snyder has released what may be the best collection of poetry I've read in years- within or without the genre.
Divided into seven carefully balanced parts, Snyder opens the collection with the perfect selection to warn the reader of CHIMERIC MACHINES' impending agenda with `Modernism', a poem steeped in brutally beautiful symbolism that does not leave any doubts of what's to come.
There is not one poem in CHIMERIC MACHINES that doesn't fit in place like a delicately carved piece of a complex and consuming puzzle. There are poems of ethereal beauty that waft through your senses like sugary winged butterflies, and poems that feel like cold rusty blades being driven violently into your soul. One in particular left me teary eyed. `Babel's Children' is less an ode and more of a denouncement of how the late great J.N. Williamson was let go into the void by his `loved' ones.
If it's only half true...well, I'll let you read and decide their deserved fates.
Snyder gives us passion, love, desire, hate, despair, sometimes in the same stanza. It is a gifted wordsmith that can alternately touch your heart and make you existentially nauseous.
But Snyder has a playful side, too, as displayed in Part 4, `Crete, Kentucky', where gathers together a motley crew of grifters and killers and tells their stories in poetic form-- a sort of mini Spoon River Anthology for the horror geeks among us.
If there was ever any doubt about this author's talent, CHIMERIC MACHINES will put them to bed for good and all. There is no other writer working today quite like Lucy A. Snyder. And watching her develop is going to be a once in a lifetime marvel to behold.
P.S.--Get a copy of CHIMERIC MACHINES before she becomes the next big thing. Del Rey, a large NYC publishing house, has finally recognized her enormous talent, and her impeding release with them, SPELLBENT, promises to push her into the well-deserved spotlight.

--Nickolas Cook
3 of 3 people found the following review helpful
5.0 out of 5 stars Not Your Average Book of Poems 24 Jun 2009
By Muffie79 - Published on
"You're about to be disturbed, fascinated, entranced and bruised," writes Tom Piccirilli in the introduction to Lucy A. Snyder's poetry collection. I was all that, and more. Poems are easy to write; just check the greeting card section of your local Walgreen's. Good poems - that's another story. Excellent poems? Almost impossible. Enter Lucy A. Snyder.

If you love language, Snyder never disappoints. These pieces don't need rhyme or meter to make them sing. She places each word like a gemstone in a setting formed by a master's hand. I kept turning certain phrases over in my mind, fingering them like rosary beads. From "Tech Support", "Faith's no narcotic, once you've lost humanity." And, "Mom's a brick of ash in a Baptist wall/and the nest I made stayed empty," from "After the Funeral". She also offers up what may be the most provocative title of all time, "And There in the Machine, Virginia Finally Stood Up". The poem's as tasty as the title, too.

Snyder channels some fantastical voices - a black hole, an S&M Prometheus, a patricide/suicide. And sometimes, she's just messing with you. You can hear her laughing in "The Fish and the Bicycle", "Home For The Holidays" (who knew a dead man's self reassembly could be witty?), and "Dime Novel". But this is smart stuff. "A Boy's Guide to Neoteny". I had to look up "neoteny" and then the subtlety of the title took my breath away. No, go get your own dictionary.

The pinnacle of the collection is the five-poem cycle "Crete, Kentucky". Greek mythology by way of white trash drug dealers. Labyrinth, anyone? Keep reading; you'll get it. The story seems so straightforward, but layers of meaning reveal themselves on so many levels.

If you like poetry, if you love words, if you revel in wit and intelligence, Snyder's work satisfies and delights. This is a collection you'll read again and again.
2 of 2 people found the following review helpful
5.0 out of 5 stars Simply A Delight 19 Jan 2011
By Kaolin Fire - Published on
Chimeric Machines is, simply, a delight. Fifteen of the thirty-eight included poems had been previously published, over nine years, in various pro and semi-pro markets, including Strange Horizons, Chiaroscuro, Lady Churchill's Rosebud Wristlet, and Greatest Uncommon Denominator Magazine. I should say up front that Lucy is one of a handful of my favorite poets--her creations tend to tweak me just so: elegant, grounded, visceral, playful, knowledgeable, erudite, educated...she knows a lot about a lot, including the feel of language, and puts it all to good use.

Tom Piccirilli's introduction is short, quirky, and a great way to set the mood before you dive in. Consider it a palate cleanser for the ever-fresh sashimi Lucy slices the world into. The book is broken into seven courses: Technica, Quiet Places, Dark Dreams, Crete Kentucky, Daughters of Typhon, Strange Corners, and Unshelled Evolution. Some sections are more coherent than others, but, for me, the first was the strongest punch. I made notes on each poem as I went, and so many of them, first time through, were just, "Yes. Oh Yes.", or "Delightful", or "*hee*". That's where she hits me.

The leading piece, "Modernism", is simple, but oh-so-elegant, beautifully wry, and hits on several levels. It's two brief stanzas, both relating the same scene, speaking on classical art and modern art, life, perspective, and it is...delightfully wrong, which is a mode I think Lucy aims for frequently.

"And There in the Machine, Virginia Finally Stood Up" is a prose poem, and not what you might expect from the collection's title, but perhaps all the more powerful for that. Three pages long, a lifetime, but I wouldn't do the themes justice by explaining them. The poem does them justice, in spades. My only qualm is that the end is perhaps a bit simple, and glib, in comparison. But there is a lot of glib, throughout, and it's something she does very well.

"Subtlety", which GUD originally published in Issue 2, gets a special call-out in the introduction, and it's well-deserved. From my slush notes, "I was hooked from the first stanza. The third one had me laugh out loud, for real." It still makes me giggle with glee, the punnery, and imagery, and sheer playful twisting of language, which is both subtle and so-very-not.

"Sympathy" had me at "the soylent flesh of every blessed enemy", which, admittedly, was the last line, but I then wrapped around and enjoyed it anew--not because of any particular twist that reshaped the poem as a whole, but because I knew what was coming.

And so on. Some other favorites, in order of presentation, were "glowfish", "Mute Birth", "Home for the Holidays", "Internal Combustion", "Infinite Loop: Girl with Black Eye", "Uncanny Valley Girl", "Book Smarts", "Dumb", "Permian Basin Blues", and "Photograph of a Lady, Circa 1890". I could probably list most of the book.

Not everything worked so perfectly for me; in particular, I didn't enjoy the story-in-five-poems section, "Crete, Kentucky", but I expect folks other than me would enjoy it more. These poems were less playful, more focused on telling the story; there's still some poetry there, but I don't think it's up to the rest of the collection.

And, overall, where I have a complaint, I think it's rooted largely the same--most of her poetry is so strong, that when it's not doing it's thing 110%, it falls a little flat, for me. Sometimes the poem is just too on-the-nose, or saying something I've read too many times without her characteristic energy; in one case she uses a gimmick twice ("Infinite Loop: Girl with Black Eye" and "Looped"; and "Infinite Loop: Girl with Black Eye" just does it much better than the other, I think); and another she hits a theme twice, and again, not so much as extends it, but does it better in one than in the other ("Ocean" vs. "Photograph of a Lady, Circa 1890").

My complaints are few and far between, and I mostly mention them so as to not over-sell you on some mythical collection that no one would ever find fault with. This is a brilliant collection. If you enjoy poetry, speculative fiction, language, life, or any combination thereof, you should really check it out.

Lucy A. Snyder was winner of the 2009 Bram Stoker Award: Superior Achievement in Poetry.

[The review copy was given to the reviewer and will be kept]
2 of 2 people found the following review helpful
5.0 out of 5 stars Engrossing Poetry 24 Jun 2009
By Daniel R. Robichaud II - Published on
Sometimes dark, sometimes funny, always evocative, Snyder's poetry is a delightful read. Whether she takes the point of view of an anthropomorphic, eternally hungry Black Hole, examines the inner workings of the criminally minded inhabitants of a small town in Kentucky, or muses about the origins of the word "subtlety", Snyder offers some beautiful imagery and engaging style. While not every poem in this brief collection resonates with me, a majority of them do. Personal favorites? "Babel's Children," an infuriating reminiscence of the ceremonial dismantling of a dead horror author's legacy by his own bad-christian children, and the five poems of the Crete, Kentucky section, telling a larger story through the poetic inner monologues of a five member cast (in a similar vein to W.D. Snodgrass's Fuhrer Bunker). Heartily recommended.
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