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Children of Men - Steelbook - Universal 100th Anniversary Edition [Blu-ray] 
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No children. No future. No hope.
In the year 2027, eighteen years since the last baby was born, disillusioned Theo (Clive Owen) becomes an unlikely champion of the human race when he is asked by his former lover (Julianne Moore) to escort a young pregnant woman out of the country as quickly as possible.
In a thrilling race against time, Theo will risk everything to deliver the miracle the whole world has been waiting for. Co-starring Michael Caine, filmmaker Alfonso Cuaron's highly acclaimed Children Of Men received three Academy Award nominations, including Best Adapted Screenplay and Best Cinematography. Based on the novel by P.D. James.
Presenting a bleak, harrowing, and yet ultimately hopeful vision of humankind's not-too-distant future, Children of Men is a riveting cautionary tale of potential things to come. Set in the crisis-ravaged future of 2027, and based on the atypical 1993 novel by British mystery writer P.D. James, the anxiety-inducing, action-packed story is set in a dystopian England where humanity has become infertile (the last baby was born in 2009), immigration is a crime, refugees (or "fugees") are caged like animals, and the world has been torn apart by nuclear fallout, rampant terrorism, and political rebellion. In this seemingly hopeless landscape of hardscrabble survival, a jaded bureaucrat named Theo (Clive Owen) is drawn into a desperate struggle to deliver Kee (Clare-Hope Ashitey), the world's only pregnant woman, to a secret group called the Human Project that hopes to discover a cure for global infertility. As they carefully navigate between the battling forces of military police and a pro-immigration insurgency, Theo, Kee, and their secretive allies endure a death-defying ordeal of urban warfare, and director Alfonso Cuaron (with cinematographer Emmanuel Lubezki) capture the action with you-are-there intensity. There's just enough humour to balance the film's darker content (much of it coming from Michael Caine, as Theo's aging hippie cohort), and although Children of Men glosses over many of the specifics about its sociopolitical worst-case scenario (which includes Julianne Moore in a brief but pivotal role), it's still a pulse-pounding vision of a future that represents a frightening extrapolation of early 21st-century history. --Jeff Shannon --This text refers to an out of print or unavailable edition of this title.See all Product Description
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Top Customer Reviews
Chaos and civil war overtake the globe, and, in Great Britain, Orwellian fascism is the only order left as refugees are imprisoned in cages, the middle class disintegrates, terrorist acts (usually by the government) are a daily occurrence, and underground rebels fight on for revolution, trying to maintain some futile hope.
While the film's events occur in 2027, 20 years in the future, the film becomes more of a comment on the Now with its pro-war stance by the government and "Homeland Security" to protect us all. But the film transcends politics to focus on its human level, specifically on the character of Theo Farin (played to existential perfection by Clive Owen) who fatefully goes through a rite-of-passage similar to Bogie in "Casablanca" - that of a man who had pulled himself away from involvement in a war-torn world finding himself now beginning to discover a newly-reborn idealism.
Brilliantly, many references to key art works of the 20th Century fill the film. e.g., musical references from rock and classical works: The Beatles, Pink Floyd, iconic rock songs -- along with Shostakovich, Prokofiev, Penderecki and Gustav Mahler, whose first song in the "Kindertotenlieder" ("Songs for Dead Children") is quoted. Images are staged in the style of great paintings, and, most importantly, Picasso's "Guernica" becomes the major symbolic icon of the film, with the cinematography drained of bright colors to convey perfectly the film's atmosphere.Read more ›
For me, Children of Men is a movie in which Cuaron tries to stuff in far too many actions. He seems to aiming for the kind of allegory that can change the way we feel about our lives, but he winds up making many of the compromises that movies force upon some directors as they find themselves with big budgets to work with and the need to sell tickets to justify the investment.
The story, as has been pointed out by others, is one big Macguffin. It's 2027 and civilization has fallen to its knees. The world is nothing but chaos, terrorism, a rotting environment and death. Britain has managed to survive as a nation state by becoming a horrendous dictatorship, needing immigrants for menial work and turning them into outcasts, periodically rounding them up along with the fugees, the refugees from the world's chaos who managed to slip past Britain's barriers. Concentration camps are filling up, laws are enforced with ferocity, there are no civil rights and the government has become the greatest killer of them all. In exchange, the British have order.
And it has been 19 years since a baby was born, anywhere in the world. Humankind has mysteriously become sterile. The point of the movie is that a frightened young woman is discovered to be pregnant. In an instant she becomes the center of the movie...will she be used by rebels to try to undermine the government?Read more ›
It's miserable, they complain. IT'S DYSTOPIA!! What do you expect? If you don't like harrowing, gritty stories don't watch them.
Irrespective of your opinion on Clive Owen's acting this role suits him well; following personal tragedy (the death of his son, and subsequent loss of his wife) and the world around him going to hell we find a dry, cynical, alcoholic. More than that actually; he's a rationalist and able to keep his head under pressure. In this world he's a survivor, and for us, he's a convincing survivor.
At points there is little dialogue but still great seeping atmosphere; more pause for thought time. God knows what all these reviewers would have people talk about; people in fear of their lives generally don't talk too much and the scattered quiet scenes with no dialogue intensify the feeling of despair.
One reviewer informs us that the film must have been made with a small budget as "The streets look as if rubbish was collected a year ago" and "there is no space left for anymore graffiti". Never mind the truly stunning cinematography (fantastic long single shots). What does this reviewer think post-apocalyptic anarchy will look like exactly? The film looks like London ten years in the future on the brink of collapse; which is what it's aiming for funnily enough.
A note on films from books: I like the PD James book, but I felt that the story of the film was more realistic and had less gaps. The book being an altogether tidier affair, less violent and with weaker characters and no context of how the rest of the world was fairing.Read more ›
Most Recent Customer Reviews
The reviews mentioned it was highly recommended. I took a chance only to be massively disappointed with what turned out to be both extremely depressing and boring in equal measure. Read morePublished 1 month ago by miguel pazos
Thought-provoking and gritty exploration of what a near-future dystopian world would look like, in which mankind is heading towards extinction because of a mysterious medical... Read morePublished 1 month ago by Elias Black
The background story to this film offers a look into a future that we could be heading for.Published 1 month ago by Elaine Webster
A novel approach to post-apocalyptic sci-fi but if loses track towards the end. A chilling view of a country in decline.Published 2 months ago by Rev. Andy
A tad shabbier, tonally subdued and eternally damp, we are invited into a highly plausible Britain of the near future. (In some areas that scenic future has already arrived). Read morePublished 2 months ago by Mr. N. Jackson
brilliant film. fabulous camera work making for a very real feel.Published 3 months ago by Mr. Samuel D. Clements