Most urban fantasy has two things:
1. A female protagonist, usually in her mid-twenties (max) and with an arsenal of weapons and magical superpowers.
2. Lots of extremely cliched politics/romance with vampires and werewolves. Maybe fairies.
And having been oversaturated in both, it's kind of a relief to come across "Child of Fire," Harry Connolly's dark, often gory urban fantasy -- think the Dresden Files by way of H.P. Lovecraft. Connolly still has some freshman errors to correct, but his prose and characters have a vibrancy and unique quality that are very stirring.
Children in the town of Hammer Bay are bursting into flame, deteriorating into silver worms, and immediately being forgotten by everybody around them. Ray Lilly and his hostile partner Annalise are sent in to find the magical predator who is causing this trouble, but they soon discover that the people of Hammer Bay don't like people who ask weird questions -- especially about its reigning family, who owns a toymaking company.
And after Ray and Annalise confront the rich toymaker who runs the town, Annalise suffers a devastating injury that leaves Ray having do the investigation on his own. As even more kids vanish, Ray has to deal with a corrupt police force (who have some supernatural powers of his own) and an unseen predator that rules the entire town...
"Child of Fire" is definitely a first novel, and Connolly is still working out his writing kinks. Some parts of the plot are not fully articulated (just what IS the Twenty Palaces Society and how does it work?!), and some are kind of repetitive (how many times can Ray be attacked by a gang of thugs, just so he can beat them up and blow them off?).
But despite those flaws, "Child of Fire" is powerful. Connolly's prose is full of snappy dialogue ("My doctor's signature. I copy it when I'm forging a prescription"), blood'n'gore, and emotionally-charged, evocative descriptions (the children turning into worms). And he crafts a very unique urban fantasy mythos -- there are werewolves and mentions of vampires, but the main focus is on Lovecraftian predators from the Empty Spaces. Think flaming wheels, vast singing boulders, and the like -- and all so alien we can't even comprehend what they want.
And Ray is a rather unique fantasy-noir anti-hero -- he's an ex-con with a nasty past, but he also has a soft spot for children and innocent small-town people. And it ought to be interesting to see what caused the rift between him and Annalise. Speaking of which, Annalise is also a fascinating character, a cold and callous woman whose near-invulnerable body seems to have made her something other than human.
"Child of Fire" has some flaws, mostly stemming from Harry Connolly's newbie status, but the Twenty Palaces series has loads of promise and haunting writing. Worth a good solid look.