`Chez Panisse Cooking' by Paul Bertolli, with Alice Waters, is a reminder of the kinds of things we miss in the downpour of fast cooking and low carb cooking books with which we have been showered in the last few years. Like most celebrity cookbooks, this can be seen as a very chatty book, with lots of headnotes and essays on various subjects such as wild mushrooms and risotto techniques. So, if all you want is a simple statement of recipes, you may be much happier with a Rachael Ray book or `1000 Italian Recipes' by Michele Scicolone, although even Scicolone's very heavily recipe oriented book has its share of commentary and notes on regional origins.
Paul Bertolli is Alice Waters' second major chef at Chez Panisse, after Jeremiah Tower went off to create Stars and claim ownership of the invention of `California Cuisine'. While Tower (and Waters) are both heavily influenced by leading English writer on French cuisine, Richard Olney, Bertolli's center is clearly in Italy, with several homages to Provence and other French influences. One important foodie note is that Bertolli cites the Pellegrino Artusi's 100 year old `L'Arte di mangiar bene' (`Art of Eating Well'). I think this is notable because I have taken a quick look at a recent translation of this work and was not very impressed with the material. It may have been a very good book 100 years ago, but I did not immediately see how it stood up to the great wealth of Italian cuisine books we have today in English. But what do I know. I obviously must go back and reconsider my opinion.
What Bertolli attends to better than practically every other cookbook author I can think of (except for the very high-end restaurant chefs such as Thomas Keller and Rick Tramonto) is taste and the nature of his ingredients. In giving instructions for a broccoli dish, I can think of very few other chefs who would take the care to suggest that you buy older broccoli for the long braise, as this will stand up better to the heat over a longer time. This is not to say that Bertolli goes as far into essays on major ingredients in the style of his later, excellent `Cooking By Hand' book. This later book goes so far as to leave the world of cookbooks and enter the world of culinary essays you typically find from John Thorne, with the difference that Bertolli is a professional cook and amateur writer, while Thorne is a professional writer and amateur cook. I did, however, find the essay on yeast bread baking to be as good as anything I have seen elsewhere for the length.
Note that the reference to sources of materials is not in an appendix at the end of the book, but placed at the end of the relevant essay on technique. So, names and addresses of sources for bread flour and home flourmills can be found at the end of the essay on bread baking.
This probably explains why Bertolli succeeds in committing two of the prime fallacies exposed in a recent `Good Eats' episode by Alton Brown. Bertolli rolls out the old chestnuts about searing being a means of sealing in moisture into meat and not washing mushrooms with any water to prevent adding any more to the liberal amount of moisture in mushrooms already. I give Alton Brown great credit for shining light on these myths, but I am quite at ease with forgiving Bertolli his repeating this conventional wisdom, especially since Harold McGee's article on the searing / moisture myth came out about the same time this book was published.
Oddly enough, the focus on works by McGee, Brown, and Shirley Corriher may be partly due to the rarity of works with Bertolli's form of culinary phenomenology. What I mean here is that Bertolli shows that there is a lot to know about good and interesting cooking which has nothing to do with science, but just simple observation and experience.
Chez Panisse cookbooks have been published by Random House and by Harper Collins, and they are uniformly attractive to the eye, as they are entertaining and informative to the mind. While both of these publishing houses have great reputations for putting out good books, I have to congratulate Ms. Waters for her stylish work in print. I miss the great woodcuts which appear only on the cover of this volume and not throughout, but Bertolli's text needs all the space it can get. Another item which may seem small to some, but which always boost's my opinion of a book is the fact that the Table of Contents lists every single recipe by name and by page number. I am also very happy that this book divides dishes by more by principle ingredient than by course.
One of my routine checks on the quality of a cookbook is an examination of the recipes for stocks. And, I am quite pleased that Bertolli has given me another important rule of thumb on stock making, something I have never read elsewhere (or, just as important, if I did read it, it did not stick in my memory). The point is that all things being equal, meat stocks are better if you go light on the vegetables. Vegetable flavors can always be added in when the dish is made, but the whole story about a chicken stock should be the chicken.
If I were not an incurable cookbook collector, this book would be high on my list of sources for my daily cooking, right behind Julia Child, Marcella Hazan, and Jamie Oliver (yes, that Jamie Oliver).
A truly excellent book and cookbook!