- Mass Market Paperback: 160 pages
- Publisher: Puffin Books (Mar 2000)
- Language English
- ISBN-10: 0141306971
- ISBN-13: 978-0141306971
- Product Dimensions: 19.7 x 12.7 x 1.1 cm
- Amazon Bestsellers Rank: 2,639,208 in Books (See Top 100 in Books)
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13 reviews
6 of 7 people found the following review helpful
Great! Read it.
18 Jun 2000
Format:Mass Market Paperback
Great Book. John Bellairs has definatly out done himself. The book centers around the young Johnny Dixon and his friend Proffessor Childermass. When the Proffesor's brother, Perry, dies, the Prof. is set to inherit his fortune. The only catch is that he has to spend the summer at Perry's eccentric home in north Maine. Johnny and his friend Fergie decide to go with to keep the Proffessor company. Little do they know that danger is lurking at the house...... The suspense is huge and the storytelling is captivating. Just don't read it late at night, or you're liable to get nightmares!
5 of 6 people found the following review helpful
Scary, witty, memorable characters and great plot!!
23 Sep 1998
Format:Hardcover
Professor Childermas, John Dixon, and Fergie take a trip to Maine. They are visiting the Professor's dead brother's mansion when they stumble onto a plot involving a strange poem, a crazed wizard and a set of grotesque little ivory chessmen. It's a must read!! With a scary tone and witty comic relief. The characters are fantastic and the plot is superb!!!
3 of 4 people found the following review helpful
An Incoherent Effort Near the End of the Author's Life
21 Mar 2007
Format:Mass Market Paperback
I have yet to read everything by Bellairs, so I do not know if this is his worst effort, but I rather hope it is.
Bellairs died in March, 1991 at the age of 53 of cardiovascular disease, and was in poor health towards the end of his life. I have heard (but have been unable to confirm) that toward the end he obtained the assistance of a ghost-writer to help him complete some of his manuscripts.
However, this volume does not read like it was written by a ghostwriter. At least part of it reads like genuine Bellairs, except it seems like poor Mr. Bellairs is losing it. His imagination remains intact, but he seems unable to put his ideas to the service of a coherent story. There are a number of bizarre and colorful happenings, but they never really come together. Even the characters' behavior seems inconsistent, incoherent, and contrived -- for instance, Johnny is foolhardy one minute and blubbering with fear the next. One would think that, by now, he would have learned from past mistakes, as well as developed stronger nerves.
The story features a highly implausible artifact: a statue perched on top a 300 foot column, with no adequate explanation as to why even an eccentric millionaire would create such an item. The heroes (who include an elderly man) enter the column and climb the stairs to the top, without ever breaking a sweat. We assume this bizarre feature is part of the mystery, but the story ends with no explanation as to why it was included in the tale. Still, it is one of the more memorable features of the story.
There is virtually no effort to develop the idea of the titular "Chessmen." They turn out to be nothing more than an arbitrary ingredient in a magic ritual, with no explanation as to how chessmen, specifically, are relevant to the magic. This could have been called "The Chamberpot of Doom" and it would have made no difference to the story. You would merely have to go through it and replace all references to chessmen with references to a chamberpot.
If you must own this book, make sure you get an edition with cover art by Edward Gorey.
Bellairs' best work seems to be his early work, particularly The House With a Clock in its Walls and its first two sequels.
Bellairs died in March, 1991 at the age of 53 of cardiovascular disease, and was in poor health towards the end of his life. I have heard (but have been unable to confirm) that toward the end he obtained the assistance of a ghost-writer to help him complete some of his manuscripts.
However, this volume does not read like it was written by a ghostwriter. At least part of it reads like genuine Bellairs, except it seems like poor Mr. Bellairs is losing it. His imagination remains intact, but he seems unable to put his ideas to the service of a coherent story. There are a number of bizarre and colorful happenings, but they never really come together. Even the characters' behavior seems inconsistent, incoherent, and contrived -- for instance, Johnny is foolhardy one minute and blubbering with fear the next. One would think that, by now, he would have learned from past mistakes, as well as developed stronger nerves.
The story features a highly implausible artifact: a statue perched on top a 300 foot column, with no adequate explanation as to why even an eccentric millionaire would create such an item. The heroes (who include an elderly man) enter the column and climb the stairs to the top, without ever breaking a sweat. We assume this bizarre feature is part of the mystery, but the story ends with no explanation as to why it was included in the tale. Still, it is one of the more memorable features of the story.
There is virtually no effort to develop the idea of the titular "Chessmen." They turn out to be nothing more than an arbitrary ingredient in a magic ritual, with no explanation as to how chessmen, specifically, are relevant to the magic. This could have been called "The Chamberpot of Doom" and it would have made no difference to the story. You would merely have to go through it and replace all references to chessmen with references to a chamberpot.
If you must own this book, make sure you get an edition with cover art by Edward Gorey.
Bellairs' best work seems to be his early work, particularly The House With a Clock in its Walls and its first two sequels.
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