Chariots of Fire (30th Anniversary Limited Edition) [Blu-ray] [1981] [Region Free]

*** THIS REVIEW IS FOR THE USA 'BOOK PACK' BLU RAY REISSUE and THE 2 UK VARIANTS ***

Little will prepare fans of "Chariots Of Fire" for this BLU RAY reissue - the picture quality is SENSATIONAL - and for a British film made on a budget in 1981 - that says a lot. Also - re-watching it in 2012 (the year of the 30th Olympiad in England) - it's nice to find that this homage to Sporting achievement and human spirit hasn't lost any of its capacity to stir the soul and bring a tear to the eye. It was nominated for 7 Oscars at the time and won 4 - including Best Picture.

PACKAGING/CONTENT/PICTURE QUALITY:
The first thing to note is that even though the print quality and abundant extras are the same for the UK and US versions - they differ greatly in their 'packaging' and there's actually 3 variants of the BLU RAY to choose from. The UK issue comes in two versions - a simple uninspiring plastic clip-case with just 1 disc at around ten pounds (type in barcode 5039036052344 into the Amazon Search Bar) and a second issue with the music CD as well for a few quid more (type in barcode 5039036051163).

This US Warner Brothers version (at about twenty pounds) that I'm reviewing however comes in a beautifully presented 36-page embossed hardback 'Book Pack' (or Digibook as its sometimes called) with an outer page attached to the rear (type in barcode 883929093946 into Amazon). Regardless of which issue you buy or where you live - ALL ARE 'REGION FREE' - so will play on every machine.

The booklet for the US variant is beautiful - featuring articles and pictures on Producer David Puttnam, Director Hugh Hudson and Writer Colin Welland. There's also text and photos on the principal cast members as well as notable supporting roles by John Gielgud, Ian Holm, Alice Krieg and Cheryl Campbell. There's also a page on the huge contribution made by Greek keyboardist VANGELIS - whose musical score has been both revered and parodied in equal measure ever since (most notably in the opening ceremony for the 2012 London Olympics just a few days ago).

This US issue and the UK double also house a 4-track music CD by VANGELIS (13:47 minutes) that features 2006 remasters of "Titles" (A Number 1 US hit in February 1982), "Abraham's Theme", "Eric's Theme" and "Jerusalem" (Vangelis with The Ambrosian Singers).

But the big news is the print - which has been FULLY RESTORED and defaulted to 1.85:1 aspect ratio - thereby filling your entire screen. Even in the notoriously difficult-to-light indoor sequences there is only slight blocking and grain - but on all outdoor scenes (of which there are many) - the clarity is exemplary. The DTS-HD Master Audio is English 5.1 Dolby Digital and Subtitles are English for Hard-Of-Hearing and French. Extras are discussed below...

THE FILM:
Taking its name from William Blake's preface to the epic "Milton: A Poem" - it focuses on the team who secured 4 medals for Britain in the 1924 Olympic Games in Paris - in particular the two Gold winners - Eric Liddell for the Men's 400 metres and Harold Abrahams for the Men's 100 meters. Nicholas Farrell (as Aubrey Montague), Nigel Havers (as Lord Andrew Lindsay) and Daniel Gerroll (as Henry Stallard) make up the other runners. Blink and you'll miss them cameos are - two sightings of American Comedienne Ruby Wax as a lady spectator in the Olympic crowds towards the end of the movie and an uncredited Stephen Fry in the "HMS Pinafore" chorus line-up.

Born in China but raised in Edinburgh - Eric Liddell (nick-named "The Flying Scotsman" after the famous steam train) was the son of a devout Missionary - and like his father before him cherished and practiced his religious convictions. Played to perfection by Scotsman Ian Charleson - Liddell often said that he was 'running for God' or 'felt His pleasure' as he speeded around track after track leaving all in his wake. Both King and Country would sorely test these implacable beliefs in Paris when they asked him to run on the Sabbath - and he refused. A little jiggering of racing dates saved face and the day...but it was the measure of the man that he withstood all that pressure and still won...

His principal rival was Harold Abrahams (played with huge gusto by Ben Cross) - a Jewish Cambridge University intellectual determined to deal with society's bigotry towards his kind by crushing all detractors in his path - including Liddell - whom he both feared and admired. But when he finally faces Liddell in a run and looses by a ticker-tape inch - the outsider is crushed. But help is at hand in the shape of an unorthodox Jewish coach called Sam Mussabini (a fabulous turn by veteran actor Ian Holm) who promises to make Harold faster and better (and does).

These indomitable boors inhabit a world of privileged chums wearing boater hats and striped blazers - men who sing Gilbert & Sullivan's "HMS Pinafore" songs with alarming relish. This is Britain after the senseless generation-depleting butchery of World War I - but still with that inbred sense of Empire coursing through their veins. You'd be right in thinking that all this snobbish elitism could become quickly tedious (and it threatens to do so for the first half hour), but the script rightly concentrates on something all the more compelling - their dedication, self-sacrifice and guts. Genuinely inspiring a hurting-country hungry for something noble to celebrate - you could even say they joined Christianity and Judaism on the Sports field for the National good. And on it goes to the 8th Olympics Games in 1924 and a funeral in London in 1978 (making it contemporary).

The wad of extras are superb - modern day interviews with all the protagonists - Ben Cross and Nigel Havers particularly animated and witty and pouring praise on Ian Charleson who sadly passed away in 1990. And again when they use the old stock footage of the film - you see just how glorious the full restoration truly is.

Like "The King's Speech" in so many ways - "Chariots Of Fire" is filled with British pride - but in a good way. This is a story about people worth remembering - their struggles - their heartbreaks and triumphs - their journey. Having not seen it in probably 30 years - I found it moving, inspirational and not in the least bit dated. And now it has the transfer and format it deserves. I know the US version may cost twice as much as the UK issue - but if you can go the few quid - then do so.

When Screenplay Writer Colin Welland accepted his Oscar - he famously announced "The British Are Coming!" Well, they're back...because this really is a fantastic reissue of a great movie.

I'm off now to run in slow motion by the sea and surf with that synth riff pounding through my very tight Speedos...nice!

BLU RAY versions:
UK 1 disc - barcode 5039036052344
UK 2 disc - barcode 5039036051163
USA 2 disc 'Book Pack' - barcode 883929093946

This is a beautiful film, well directed by Hugh Hudson in his theatrical film debut. It features the true life story of two Olympic runners, Eric Liddell (Ian Charleson) and Harold Abrahams (Ben Cross), who ran for Great Britain in the 1924 Olympic Games and brought home the Gold.

The film tells the story of these two individuals, who are as different from each other as different can be, and explores their personal drive and reasons for running. Eric Liddell is a staunch Scot and a fervid Presbyterian. The son of a missionary and himself a missionary by avocation, he runs because "God made him fast for a reason". His running is a reconciliation of his faith and his passion. He runs for the glory of God. His faith always remains constant and pre-eminent in his life. His devotion to it causes some controversy during the Olympics, as a consequence of the stance he takes when he discovers that the preliminary mete for the 200 metre race would be held on a Sunday. Liddell simply refuses to run on the Sabbath! Luckily for Great Britain, Lord Andrew Lindsay (Nigel Havers), a gentleman and fellow competitor, graciously steps in and, as he had already won a gold medal in the hurdles, gives him his place in the 400 metre dash, which would take place on a Thursday. This would never happen today in the dog eat dog world of competitive sports, much less in the Olympics of today!

Harold Abrahams is completely different. A secular Jew and Cambridge scholar, he studies in the bastion of upper crust British society, struggling to fit in but always remaining the proverbial outsider. He has a passion for running that is motivated by his passion for winning. In his world, God has nothing to do with it. Winning is merely an affirmation of himself in a world that he believes thinks less of him because he is a Jew. Consequently, his desire to win is superceded only by his fear of losing. When two Cambridge dons, the Master of Trinity, played by the late John Gielgud, along with the Master of Caius, meet with Abrahams, they are concerned that his hiring of a professional personal trainer, Sam Mussabini (Ian Holm), to help him with his running is not quite in keeping with the amateur tradition of the Cambridge gentleman. Implicit in their criticism is an undercurrent of anti-Semitism, one to which Abrahams does not take kindly. It is that moment that defines what makes Abrahams run.

This is ultimately a story about faith. With Liddell, it is about his faith in God. With Abrahams, it is about his faith in himself. Both were propelled to Olympic glory by it. It is a story sublimely told, though a little slow at times. It is not an action type of sports movie. It speaks gently of a time long passed, when the Olympics was truly the bastion of amateurs. It is amazing to see track events of the Olympics of 1924 depicted in all their simplicity...no flash, no glitz, no gimmicks. The runners ran on dirt tracks. They all carried spades in which to dig their footholds for their starting "blocks", something that surprised me. This attention to detail permeates the entire film, and its evocation of a bygone era makes the film linger in one's memory long after it has ended.

Ian Charleson gives a notable performances as Eric Liddell, infusing him with a gentleness and purity of spirit that is compelling, while Ben Cross plays Harold Abrahams with an intensity and singularity of purpose that is riveting. Their stellar performances, as well as those given by the excellent supporting cast, coupled with exquisite cinematography and the excellent direction of Hugh Hudson, make this film worthy of its 1981 Academy Award for Best Picture. The beautiful and soaring, synthesized music of Vangelis also won an Academy Award and went on to become a number one hit in the pop charts in 1982.

Chariots of Fire must have a fresh transfer for the Blu-ray edition as the current one is not just mediocre in terms of sound and picture, but some scenes are incorrectly transferred. The theatrical print I saw years ago has a wonderfully atmospheric sequence of a formal dinner in one of the Cambridge colleges, apparently shot by candelight, tingeing with yellow the white shirts of the participants, all in evening dress. Lindsay Anderson, director of If, presides as master. In reality, it appears to have been shot "day for night." The telecine transfer technician did not know about this so he set the values for daylight when transferring the scene; it now looks very odd, as why are all these people in evening dress with midday daylight? Such errors happen quite often, as one can see from the web pages of Robert A. Harris the noted film restorer.

The opening scene when the team runs along the beach had a pinkish tinge to place it at dawn, I suppose. This is missing from the DVD as I recall.

If the studio restransfers for blu-ray, I suppose that a better DVD edition will then appear.