Warner Bros. and Michael Curtiz faced a real challenge with their 1936 epic The Charge of the Light Brigade: how to solve the problem of turning the biggest fiasco in British military history into a heroic adventure? Why, ignore history entirely and make it all up instead, of course! Unfortunately, it doesn't quite pull it off, because no matter how entertaining the first hundred minutes are, there's no getting around the stupidity of Donald Crisp's commanding officer or the criminal irresponsibility of Errol Flynn's actions in the last reel, no matter how `noble' his intentions. Nor is it easy to accept the truly vicious horsefalls in the final charge, no matter how spectacular the sequence, although at least the huge number of horses killed in the sequences (along with one stuntman) led to laws being passed to protect animals in films.
Despite the title, the film takes its lead from the previous year's The Lives of a Bengal Lancer and is more interested in revolting natives on the Indian frontier than it is in the Crimean War, with Flynn's dashing cavalry officer surprisingly losing Olivia De Havilland's hand to his brother Patric Knowles while failing to avert a massacre masterminded by C. Henry Gordon's treacherous Surat Khan. The Charge itself is here an act of revenge rather than a ghastly blunder, and is portrayed as the turning point in the war rather than a wasted heroic gesture. But then, when Tony Richardson offered a more historically accurate version in 1968, audiences stayed at home in droves, so the studio clearly knew what they were doing by going for romantic hokum, and darn entertaining hokum at that.
(Incidentally, the theme of animal cruelty is continued in the 1936 Porky Pig cartoon Boom Boom included on the DVD, a bizarre, tasteless - but in an unfunny way - spoof of WW1 that delights in killing animals with high explosives for the first half of its running time!)
The extras on Warners' Region 1 NTSC DVD are good but a little unsatisfying compared to other Errol Flynn titles: this is one film where a documentary would have been particularly useful, but aside from the Warners Night at the Movies selected shorts and an audio commentary, the only extra relating to the film itself is a reissue trailer - a pity since even the original four-minute theatrical trailer included a lot of behind-the-scenes footage.