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Reminiscent of Skip James, he blended a soft vocal roughness with nimble and generally minimal finger-picked guitar, that suddenly erupted into virtuoso outbursts of complex runs and scales. Absolutely the real thing: anything but glossy and always powerfully emotional. Since then there have been several albums all consistently excellent and varying little in style. But this one is slightly different--the soundtrack to a film by Jacques Sarasin: a journey across Mali with Kar Kar, meeting and playing with such musicians as Ali Farka Touré, kora player Ballaké Cissokho and balafonist Kélétigui Diabaté.
Most of the music is recorded live and unadorned, though one track is a studio job with Rokia Traoré and group. Throughout it's spellbinding. Kar Kar playing and singing with more ease and élan than ever, a man at the peak of his form. And, so baldly and frankly recorded, we are as close to the music and its maker as any listener could wish. --Rick Sanders
© fRoots Magazine. All rights reserved.
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the music itself is of a very high quality, mixing the blues and more traditional mali music perfectly to form something which to the western ear is wonderfully relaxing, somewhat like those relaxation tapes of sea sounds, but with high quality music instead. Nor is it all the same artist, for whilst Traore features on all tracks he plays a number of duets, including three with Ali Farka Toure (who's album 'talking timbuctoo' with Ry Cooder i would also very much recommend). Their are also two songs from Traore's earlier carreor in the sixties where he was portrayed as independant malis answer to rock and roll.
This album is also wonderfully packaged with very good liner notes in both english and french telling you about each of the songs and about the man himself. There are many photos which help further the image of the music the album puts together as well.
I highly recomend this CD for anybody who is looking for a relaxing alternternative to just about anything modern life has to offer.
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