Changeling is a gripping movie for adults - 'manna for grown ups' as one reviewer rightly called it. Angelina Jolie turns in a terrific performance as Christine Collins, a demure single mother in 1920's Los Angeles whose missing son becomes a rallying point for the oppressed citizens of LA, who are suffering under the boot of a ruthlessly corrupt police force & mayoralty.
But as Christine struggles with an impostor son that a disinterested LA police force has preposterously tried to fob her off with as her own there's a big twist when another young boy is arrested in a routine deportation case & does he have a story to tell. A tale so horrifying that it would instantly qualify as any parents worst nightmare. When I saw this film in the cinema the packed out audience gasped - literally gasped out loud - during the confession scene between this kid & the police officer.
Jolie has never been quite this good & she brings a fantastic larger than life movie star presence to her role. She's a terrific actress in the body of a goddess & watching her evokes so much of the spirit of a Rita Hayworth or a Joan Crawford in their luminous prime. But she's not the only star here. One of the great pleasures of Changeling is watching so many unknown character actors given the chance to strut their stuff & boy do they take it.
The script is just as outstanding, moving effortlessly from one genre to another - part period crime thriller, part psycho ward drama, part serial killer movie, part courtroom procedural. It begins small & then expands to take in political corruption, the status of women in the 1920's, the way children & adults view the same event, & the satisfaction (or not) of capital punishment. What's most impressive is the way Clint Eastwood orchestrates all of this because Changeling shifts gears so smoothly that one remains completely transfixed, indeed amazed, throughout.
Changeling represents a notable development in Eastwood's evolution as a filmmaker. Never before has he handled such a sprawling, multi-stranded story with such ease & confidence.
There's also a real sense of anger as Eastwood leaves us in no doubt how he feels about the way Collins - & the other female victims of the pernicious Code 12 - were treated by the authorities. As much as Changeling is a hugely enjoyable picture, true life stories in which authorities such as the police & social services victimise single mothers, in order to conceal their own incompetence dealing with children at risk, mean that Changeling carries a genuine contemporary resonance as a cautionary tale.
Amazon's editorial review suggests the film goes on to long & sags in the final stretch. I couldn't disagree more. In fact I think this is one of the best edited movies I have seen in a long while. The multiple storylines & shifting emotional moods are so well captured by Joel Cox & Gary Roach's editing that they deserved an Oscar nomination. The technical aspects are also top notch throughout & how pleasing it is to see a period piece in which the sets & costumes never once overwhelm the characters or the story. Eastwood's lovely score is the icing on the cake.
Changeling was the first of two masterful Eastwood movies in 2008, the other being Gran Torino. Both come highly recommended for those hungering for movies the way they used to make 'em (& I mean that in the best possible sense).