Kiarostami's first film in Europe unravels the shifting ambiguities in the relationship between its two main characters, played by Juliette Binoche and William Shimell. What might on the face of it appear to be a pedestrian, predictable, and frankly middle-aged character piece turns out to be a nuanced and absorbing reflection on our self perception and its interplay with those closest to us.
Though little actually takes place in the film, the scenes which follow their conversations over the course of an afternoon are kept taut by the masterful script and its interpretation at the hands of Binoche and Shimell. Dramatic tension is maintained throughout by the uncertain status of the relationship. Are they married? Divorced? Or meeting the first time? Different scenarios seem more plausible at different points in the film, but this mammoth ambiguity is toyed with so subtly that ultimately you enter into a blissful interzone of sublime illogic reminiscent of Lynch's better work.
Inviting the audience to question the characters in this way causes us to examine every inflection, every gesture, just as Binoche and Shimell themselves are trying to interpret the reactions and intentions of the other. Which in turn draws attention to the quality of the acting. Binoche is astounding as the busy middle-class mother - it's certain that she identifies very strongly with the character and she really carries the film while the more aloof and fallible Shimell keeps his distance. Only during one scene does the acting look a bit ropey, as Shimell has an entirely unconvincing fit of anger in a restaurant (this is his first film role, he's actually an opera singer by profession), but this is soon swept out of mind by further developments, including an endearing cameo by Luis Buñuel's cowriter, Jean-Claude Carrière.
On the whole, a very intelligent and engaging piece that, while not quite a career-defining moment like
Close Up [2007] [DVD], shows that Kiarostami can work his curious magic wherever he takes his camera.