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| Song Title | Time | Price | |||
|---|---|---|---|---|---|
| Play | 1. Century Rolls: I. | 14:55 | Album Only | ||
| Play | 2. Century Rolls: II. Manny's Gym | 6:22 | £0.69 | ||
| Play | 3. Century Rolls: III. Hail Bop | 7:54 | £0.69 | ||
| Play | 4. Lollapalooza | 6:40 | £0.69 | ||
| Play | 5. Slonimsky's Earbox | 13:21 | Album Only |
Product details
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The live performances that I attended remain most vividly in my memory in that you have to be in the space in which the piece is being played in order to hear all the dramatic and subtle effects. I have three taped perfromances all with Ax at the piano and with Adams, Eschenbach, and Tilson Thomas conducting. I have heard it live with David Robertson and Dohnanyi conducting. Though the emphasis is on the extensive workout the pianist has to give, it is also a virtuosic tour-de-force for the conductor to bring off.
The first movement lasts over 14 minutes and the pianist plays for almost all of the time. This movement is the most varied in terms of sound quantity. The movement begins with woodwind chirping and eventually reaches sudden and dramatic outbursts from the orchestra. The second movement can compare with Ravel's second movement of his G major concerto in terms of limpid and loving sound. It casts the same spell and never lets go. The beginning of the movement has the resonance of the ending of the first movement lingering in the air. The third movement is a rollercoaster of a ride from beginning to end and ,again, resembles the third movement of the Ravel concerto.
I have always loved Adams' music from the first time I heard Harmonium almost 20 years ago. I equally enjoy Harmonielehre, Shaker Loops (the orchestral version) and the Violin Concerto.
Dohnanyi and the Cleveland Orchestra are not the ideal pairing I would have hoped for in this piece. I would have preferred Slatkin and St. Louis or Tilson Thomas and San Francisco. The Clevelend Orchestra plays gorgeously and Dohnanyi is the virtuoso conductor necessary for the piece, but there is a lack of abandonment and exhiliration missing.
Only a digital recording on a cd could do this piece justice because of all the subtle effects and sudden dramatic outbursts. Play this piece at the loudest setting you can without breaking your walls or your lease.
I gave this recording five stars because at last we have a recording of Century Rolls, and a superior one at that.
The CD contains an engaging 50 or so minutes of John Adams' finest, apart from Short Ride in a Fast Machine, my favourite of his. I am in to contemporary classical and I am glad I have this CD. The fluid and smooth tinkerings of Manny's Gym, the envigorating jazz powering Lollapalooza and the surprising jabs strewn throughout Hail Bop is just some of the great stuff on this CD you'll find. So if you are unsure about buying this recording, you will probably really enjoy it, especially if you are familiar with John Adams or other contemporary music.
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