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Like Linda Eder and Sarah Brightman, he's a crossover artist, equally at ease in the West End, on Broadway and in Las Vegas. "Seasons of Love" is the best example of this strategy. The synth-heavy arrangements get close to the cheese zone at times, but Ball's power-pipes mostly manage to overcome them. The album's centerpiece is the delirious title song from Phantom of the Opera, a duet with Lesley Garrett; it comes across like old-school Queen trying its damnedest to write a Broadway hit. It's so over the top, so flamboyantly bombastic, that only a terminal snob wouldn't love it. Or at least crack a smile. --Elisabeth Vincentelli
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