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Product Description
This volume is an introduction to cello playing by the outstanding recitalist, soloist and teacher of international repute whose natural wish - as a teacher - would be to sing, play and show what he means. But a devoted pupil, Nona Pyron, herself a figure of some authority in the world of the cello, has guided and marshaled William Pleeths brilliantly perceptive advice into the confines of this valuable book. She also provides a brief but thorough introduction to the history of the cello and cello playing. Yehudi Menuhin Music Guides is an immensely important series of books, each one on a different group of instruments within the orchestral family. The series is aimed at music students of all ages, amateur musicians, music teachers and all readers actively committed to music.
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5 reviews
15 of 16 people found the following review helpful
A must-have for parents and student alike!
23 Feb 2001
Format:Paperback
The string instruments were always a great mystery to me, so when my four year old started cello, I found this book a welcomed resource. Bill Pleeth, the pricipal author, is a world-famous instructor in London. His writing style takes you right into his studio and answers many, many questions about technique and, most of all, how to explore the versatility of this wonderful instrument. He will help parents who are helping their kids practice to practice with wonderment. And while the practicing will always be hard work, Pleeth makes it worthwhile. He helps take the student--even the youngest beginner--out of the set hand and first position to explore the instrument in its entirety. Worth the investment and time. A great read (and I tell you this as a professional book editor) and inspiring. So much so, I started cello lessons myself! Keep in mind that this is NOT an instruction book on playing the cello. It is, however, a priceless conversation with a master.
8 of 9 people found the following review helpful
great book
13 Dec 2000
Format:Paperback
This is a great book for any cellist. Such detail is given to the subject that anyone from a beginner to a pro will find insights that will enhance their playing. Not only that, but it is well-written and enjoyable to read. It covers cello philosophy, technique, history, and repertoire. Every teacher and student should own this book.
4 of 4 people found the following review helpful
Full of wonderful insights from a lifetime of teaching
27 Aug 2006
Format:Paperback
I have found this to be the most important book about the philosophy of playing that I've encountered. Pleeth's teaching is all about relaxation in playing, and in this book he lays out the basis of a relaxed mindset. This doesn't begin with technique. It has to do with one's approach to the instrument, one's attitude about the listener, and even one's conception of what music is for...which is then applied to all the various specific technical issues one encounters with the cello.
The reviewer of 10/29/03 has unfortunately missed the point of this book...this is not a how-to book for beginners or intermediates. This book will be most useful to the player who already has a strong grasp of technique. Pleeth shows how he worked with such players and helped them to let go of left-brain ideas about playing (straining, taking a superior attitude to audiences and colleagues, etc.) and find greater freedom. For the player who is ready, Pleeth offers not just a compelling philosophy, but concrete ideas.
The reviewer of 10/29/03 has unfortunately missed the point of this book...this is not a how-to book for beginners or intermediates. This book will be most useful to the player who already has a strong grasp of technique. Pleeth shows how he worked with such players and helped them to let go of left-brain ideas about playing (straining, taking a superior attitude to audiences and colleagues, etc.) and find greater freedom. For the player who is ready, Pleeth offers not just a compelling philosophy, but concrete ideas.
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