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Most Helpful Customer Reviews
2 of 2 people found the following review helpful:
4.0 out of 5 stars
"Some events take a lifetime to reveal their damage and influence",
By
This review is from: The Cat's Table (Hardcover)
The cat's table is "the least privileged place" in the dining room aboard an ocean liner bound for Tilbury from Ceylon in 1954. The narrator, Michael , recalls how, as an eleven-year-old, this is where he meets not just two other unaccompanied boys, but a group of eccentric adults. In the accurate belief that they are invisible, at least until their mischief brings them to the captain's notice, these three racket around, experiencing the complex life of a ship, straying below deck and into first class, eavesdropping as they lie hidden in the lifeboats where they gorge the emergency chocolate rations, getting involved in bizarre events, hearing quirky, often unsuitable anecdotes, all of this related in short chapters which add to the fragmented, dreamlike quality of the voyage.The "main plot" of the story, which revolves round a mysterious shackled prisoner who is brought out for exercise at night, proves rather thin and implausible with an unsatisfying ending, yet does not appear to be the author's main concern. The novel seems to be mostly about the nature of memory and the way people relate to one another, so that fleeting impressions, brief incidents and passing friendships from early life may prove unexpectedly enduring and significant in adulthood. I found the description of the voyage and numerous rambling into vignettes very evocative and absorbing. Less satisfactory are the frequent "flash forwards" to Michael's later life. His adult relationships with his cousin Emily and with his friend's sister Massi do not prove as convincing and moving as I think they are intended to be. It is interesting to speculate to what extent the events of the voyage make Michael permanently mistrustful , someone who breaks too "easily away from intimacy", although having rather distant parents and uncaring relatives who think it in order to send him unaccompanied on a long voyage is probably the main reason. Overall, this is an unusual novel which lingers in one's mind. It is brilliant in ways that will differ according to the reader's own cast of thought. An example of this for me is the description of the night-time sailing through the Suez canal, which years later Michael's friend Cassius captures in paintings which only Michael can appreciate have been drawn "from the exact angle of vision Cassius and I had that night". I like the humour in Michael's list of the irascible captain's "crimes committed (so far)" most of which are actually the children's fault. However, the tale is also flawed when some allusion or plot development misses the mark or falls flat.
1 of 1 people found the following review helpful:
4.0 out of 5 stars
Dreamlike,
This review is from: The Cat's Table (Hardcover)
As ever with Ondaatje you get a beautifully written, complexly structured novel, which is easy and pleasurable to read. This novel is even easier since it is so short but fails to be quite as engaging as some of his other works. Some of that can perhaps be put down to the style which is intentionally languid to simulate the dissociation of a three week sea voyage, but is intercut with intersecting stories which spin out into the past and future to significantly widen the scope of the book. As other reviewers have pointed out it does take some time to get going but once the disparate strands begin to weave back in together it becomes difficult to put down. I would definitely recommend but would sugges "In the Skin of a Lion" as the better introduction to Ondaatje's work.
13 of 16 people found the following review helpful:
3.0 out of 5 stars
Slow and dreamlike,
By
This review is from: The Cat's Table (Hardcover)
This is the story of a three week journey in 1954 from Ceylon to England by sea. Michael is 11, and is leaving the only country he has ever known. Travelling alone, he quickly befriends two other boys of his age and the three of them spend the weeks exploring the ship, spying on their fellow passengers and generally getting up to mischief. Despite the fact that there are many similarities between the author's own story and the fictional Michael, this is apparently fictional. The book has a dreamy, timeless quality - the journey seems much longer than three weeks, which is probably how it would have felt to an 11 year old. Events that happened for a few days would stretch in the memory. The narrator himself comments that his memory is unreliable, which heightens the sense of unreality that permeates the pages.I'm finding it very hard to know how to rate this book. It's short and easy enough to read, but it took me almost a month to get through. The writing is beautiful, even poetic, but there is very little in the way of a plot. Instead we get little vignettes about this passenger or that passenger, which are pleasant but never gave me the urge to pick the book up again and to read more. Towards the end some of the disparate strands do come together, but I think what will stay with me is not the characters, nor the storyline, but the impressions of a particular place in time. I'm glad I read it, but it's not a book I would hand to a friend and say "you must read this".
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