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Review Thus, when the tapes were handed to Blackwell he saw to it that the keyboards of John 'Rabbit' Bundrick and guitar of Wayne Perkins bolstered the righteous skank of Catch A Fire. And it worked! Perkins' steel combined with Bundrick's washes (and a whole host of contemporary studio filters) to flesh out the originals perfectly. From this point on Marley would be the hippest name to drop in reggae.
But of course, without the original diamonds in the rough, Blackwell and Island couldn't have succeeded. This was still very much still a group effort at this point. Peter Tosh's contributions (400 Years and Stop The Train), both sung by him, show how he was easily the match of Marley, making his solo career an inevitability. What's more, the band, propelled by the airtight rhythm section of the Barrett brothers, could turn their hand to both slinky love songs (Stir It Up) and politically charged diatribes (Concrete Jungle) with ease.
Reggae, up until this point, was a niche genre, bought in the UK by ex-pat West Indians (and the occasional skinhead); it was even less widespread in the States. Catch A Fire changed all that. Without it Bob Marley would never have become a figurehead and no one outside of the Caribbean would have heard of Bunny Wailer or Peter Tosh either. For this alone Chris Blackwell should be canonised. --Chris Jones
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In my opinion this is still their best work, raw, fresh and uninhibited. Standout tracks include Concrete Jungle, Stir it up and Slave Driver but their are no bad tracks.
The familier 'Wailing Wailers' sound is here to enjoy with the classic bouncy reggae rhythems. For me a classic album of a classic period of time were reggae would reach heights never before accomplished.
JAH RASTAFARI!
High tide or low tide is the most under appreciated Marley song ever. Its soooo nice it deserves to be a world wide sing along and should have been on legend. The rest of the album is amazing, never over produced and always tasteful. A MUST have for any Marley fan, reggae fan or human being.
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