- Paperback: 322 pages
- Publisher: University of Chicago Press; 2nd edition (1 Feb 1993)
- Language English
- ISBN-10: 0226504018
- ISBN-13: 978-0226504018
- Product Dimensions: 2.3 x 1.5 x 0.2 cm
- Amazon Bestsellers Rank: 1,233,902 in Books (See Top 100 in Books)
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Product Description
Product Description
In Cassette Culture, Peter Manuel tells how a new mass medium--the portable cassette player--caused a major upheaval in popular culture in the world's second-largest country. The advent of cassette technology in the 1980s transformed India's popular music industry from the virtual monopoly of a single multinational LP manufacturer to a free-for-all among hundreds of local cassette producers. The result was a revolution in the quantity, quality, and variety of Indian popular music and its patterns of dissemination and consumption. Manuel shows that the cassette revolution, however, has brought new contradictions and problems to Indian culture. While inexpensive cassettes revitalized local subcultures and community values throughout the subcontinent, they were also a vehicle for regional and political factionalism, new forms of commercial vulgarity, and, disturbingly, the most provocative sorts of hate-mongering and religious chauvinism. Cassette Culture is the first scholarly account of Indian popular music and the first case study of a technological revolution now occurring throughout the world. It will be an essential resource for anyone interested in modern India, communications theory, world popular music, or contemporary global culture.
About the Author
Peter Manuel is assistant professor in the Department of Art, Music, and Philosophy at John Jay College (City University of New York). His other publications include Popular Musics of the Non-Western World, Thumri in Historical and Stylistic Perspectives, and Essays on Cuban Music.
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The cassette revolution in India has engendered a dramatic restructuring and reorientation of the music industry itself, of the quality, quantity, and variety of popular music disseminated, and of consumption and dissemination patterns. Read the first page
Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
The cassette revolution in India has engendered a dramatic restructuring and reorientation of the music industry itself, of the quality, quantity, and variety of popular music disseminated, and of consumption and dissemination patterns. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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7 of 7 people found the following review helpful
Taped Music Revolutionizes Indian Music Industry
26 April 2000
Format:Paperback
If you are not interested in exploring the details of the music biz in India, turn off this site right now; this book is not connected to the Western pop scene. CASSETTE CULTURE is a study of the impact of cassette technology on popular music in North India. It explores the nature of the changes the arrival of widely-available cassettes has made on the structure of the Indian music industry and on popular music itself. I found it a well-written book with an absolute minimum of scholarly jargon, though it is an academic book. The author does not presume knowledge on the part of the reader and gives careful explanations of Indian musical styles, regional cultures, and music industry details. I found the balance between theory and description excellent. There is an interesting discussion of the popular music recording scene in other parts of the world, as well as a thorough historical look at that topic in India itself. The problem of piracy is dealt with in depth. There are three basic issues that underlie Manuel's study. First, the nature of control of the mass media in India. Second, the content of the mass media and how it is presented. And third, the effect of the content on the audience and how they use that content. With these guidelines, he shows how the arrival of cassette technology and cheap cassette players in the 1970s created a revolution in Indian popular music. By the 1980s, a transformation was underway, with the rise of hundreds of small regional producers, as well as a few giants. Escape from corporate control might lead us to think that the cassette ?revolution? was a liberating force, but Manuel points out that this is not entirely so. The new technology has also been used to spread traditional, unprogressive, and even reactionary, bigoted messages through India. Cassettes have fuelled many a regionalist or separatist movement as well as the strivings of many an opportunistic politician.
I strongly recommend this book to anyone who wants to learn more about the combination of music, popular media, technology and culture in India, one of the great civilizations of mankind, which seldom appears in Western media except for disasters, murders, or horror stories . Manuel has written a classic. Buy it.
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