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Carte Blanche (James Bond)
 
 
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Carte Blanche (James Bond) [Hardcover]

Jeffery Deaver
3.1 out of 5 stars  See all reviews (104 customer reviews)
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Product details

  • Hardcover: 448 pages
  • Publisher: Hodder & Stoughton; First Edition, First Impression edition (26 May 2011)
  • Language English
  • ISBN-10: 1444716476
  • ISBN-13: 978-1444716474
  • Product Dimensions: 23.6 x 15.8 x 4.2 cm
  • Average Customer Review: 3.1 out of 5 stars  See all reviews (104 customer reviews)
  • Amazon Bestsellers Rank: 26,253 in Books (See Top 100 in Books)

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Jeffery Deaver
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Product Description

Amazon.co.uk Review

James Bond is back. And in Carte Blanche, he is just out of Afghanistan, seconded to a new security agency -- one that is a distinctly separate entity from MI5 or 6. A decryption reveals that Britain is harbouring a vicious clandestine figure, and a great many people are to die -- within a week. 007 is in action in his own country for once, his hands tied by an irritating bureaucratic colleague, and up against a sinister opponent who luxuriates in the sights and sounds of death and putrefaction. And if the latter sounds like the kind of villain Lincoln Rhyme might be taking on, that’s because 007’s new chronicler is the American writer Jeffrey Deaver, creator of the quadriplegic criminologist Rhyme.

There is now a long and impressive tradition of continuing the literary adventures of Ian Fleming's superspy after his elegant creator's death, and it has to be said that the results have been only fitfully successful. The first post-Fleming Bond novel, Robert Markham’s Colonel Sun, was a lovingly crafted tribute by a pseudonymous Kingsley Amis, and did considerable justice to the original concept. The entries by the American writer Raymond Benson were generally received with less enthusiasm (proving that Benson’s considerable knowledge of Bondiana did not constitute sufficient credentials for the task), and while the veteran thriller writer John Gardner’s entries began strongly, he appeared to lose interest in the project; the last two books in his 007 sequence were workaday, to say the least. Sebastian Falk’s recent entry, Devil May Care, placed Bond back in the Fleming era, and was a diverting outing.

Like Gardner, Jeffrey Deaver is, of course, a considerable thriller writer with a body of work that has acquired a strong following (principally for his novels featuring Lincoln Rhyme). And like any writer approaching the task of continuing the adventures of Britain's most famous spy, Deaver was faced with a variety of dilemmas. Should he bring Bond into the modern age, as John Gardner (and the continuing film franchise) had done? Or should he create a period adventure in the fashion of the last non-Fleming Bond adventure by Sebastian Falks? To some degree, Deaver has opted to have the best of both worlds. This is a 21st-century Bond, post-9/11 and post-7/7 (both namechecked in this book), and Bond has given up smoking (something else that John Gardner wished upon the hero in his series). Many of the comforting facets of the Bond books are in place, including the sybaritic lifestyle and the absurdly-named women he encounters (how long did it take Deaver to come up with the name Ophelia Maidenstone?). The eternal Miss Moneypenny is on board, as is the de rigueur grotesque villain. The modern reader consuming the book (and it demands to be consumed -- at a brisk pace) will be wondering what version of the spy chief M we will encounter: a middle-aged woman with echoes of Judi Dench? No, M in Carte Blanche is an admiral (clearly, in fact, Fleming’s Sir Miles Messervy), and all the other aspects readers have come to expect in Fleming's adroitly written thrillers are satisfyingly in place. In fact, the opening suspense sequence (involving multiple deaths and the destruction of a train) is something that would have done Fleming proud. But as Deaver would no doubt be the first to admit, there was only one Ian Fleming, and any new Bond adventure is essentially an act of ventriloquism. But if such initiatives are to be undertaken, it is to the Fleming Estate’s credit that the talented Mr Deaver was chosen for the job. Fleming aficionados may have caveats, but there is no denying that Deaver's customary storytelling expertise is handsomely on display here, and Deaver can offer a frequently persuasive Fleming simulacra. --Barry Forshaw

Review

'Among the high-end marques of crime, Deaver ranks in the Bentley Continental class: a sleek, fast and supremely well-engineered suspense machine . . . Deaver has stylishly fulfilled his brief.' (Independent )

'The most impressive feature of CARTE BLANCHE is the ingenuity of the breathless, blood-thirsty plot . . . Kingsley Amis, John Gardner and Sebastian Faulks are among those who have tried to bring Bond back to life. Deaver, though, is in a class of his own: nobody's done it better.' (Evening Standard )

'Top US thriller writer Jeffery Deaver has brought Bond bang up to date . . . CARTE BLANCHE has it all.' **** (Sun )

'[A] gripping modern thriller . . . Bond fans will enjoy Deaver's slightly mischievous take on Ian Fleming. Deaver fans will enjoy the taut plotting and the action scenes and, by the way, it is going to make a great movie.' ***** (Daily Express )

'CARTE BLANCHE promises to be fast-paced, packed with twists and turns as torturous as any Bond car chase.'

(The Times )

'[James Bond] lives on in the skillful hands of a suspense superstar.'

(www.newsweek.com )

'I was agreeably surprised at how much I enjoyed CARTE BLANCHE, probably the best Bond continuation novel since Fleming's death nearly half a century ago. Deaver combines the best of Fleming's crisp, eclectic style without compromising his own ability to tell a cracking story.'

(Literary Review )

'Deaver delivers more twists than a 1960s prom dance and the plot pounds along at a breathless pace' (Financial Times )

'Deaver's writing is very much like Fleming's . . . kept me turning pages.'

(Irish Times )

'Deaver's enthusiasm for Bond comes through on every page and puts the gift for plotting that has garnered him such massive popularity to superb use here. So CARTE BLANCHE is excellent fun, a great read and Jeffery Deaver has breathed new life into an old favourite.'

(Sunday Express )

'Brings 007 bang up to date . . . It's also thrilling and genuinely surprising like most of thriller king Deaver's novels. If they turn this into the next 007 film (after the one that comes out in 2012), it'll be great.' **** (Heat )

'Set over six action-packed days, this is a tightly wound thriller that crackles at break-neck speed . . . the Bond legacy is in safe hands.'

(News of the World )

'Deaver's immaculate sense of pace comes into its own. It's hard to imagine anyone not being impressed by this novel'

(Independent on Sunday )

'Top US thriller writer Jeffery Deaver and iconic spy James Bond prove to be an irresistible combination . . . In an interview last year Deaver promised his book would be "a clever story, with some very good twists and surprises" and he has certainly delivered.' 

(Daily Express )

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Customer Reviews

Most Helpful Customer Reviews
23 of 25 people found the following review helpful
Format:Hardcover
It was with a certain amount of trepidation that I approached Carte Blanche, for two obvious reasons:

1) It was an American author's take on the most British of iconic characters
2) It was advertised as being an 'update' rather than a 'continuation' of the series

Perhaps the first thing worth noting is that it is not a terrible book. It has a certain sense of urgency which motivates the reader to keep turning the page, and a storyline which, it has to be said, is more memorable than the recent Bond novel by Sebastian Faulks.

The flaw is really one of the character of Bond himself. It would appear that Deaver takes his cue from the more recent film adaptations of the character rather than from the source novels themselves. Fleming's Bond was very much a man on the edge - one who cared little about his own life and who often cared little for those around him. Often relying solely on his stubborn determination and courage rather than on gadgets and gizmos, this Bond made mistakes and suffered the consequences accordingly.

In 'updating' the original character, we are left with a fairly bland Bond who seems to use his smartphone every other page to solve a problem and makes very few mistakes in pursuit of his target. This is not the Bond that 'women want and men want to be', but a watered-down version of what should be a gritty character used to killing without regret.

Perhaps my Bond is one that should always exist in the 1950s/1960s, in the same way that my Sherlock Holmes will always exist under the murky, gaslight illumination of late 19th Century... Worth a read to find out what you think though.
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9 of 10 people found the following review helpful
By Jon L
Format:Hardcover
This is so much better than Devil May Care, the last Bond book. The research seems impeccable, the gadgets believable and the story just the right level of complexity/intrigue for a Bond. As with all Bond books, 007 comes out of too many scrapes unhurt but at least each escape, if taken alone, is believable. A tiny, but compelling side plot regarding his parents. Personally I hope that Jeffery Deaver is asked to write another one and that he isn't put off by quite a few poor reviews unfairly comparing this book to a set of books written in the 60's. This is exactly what a modern day Bond book should be like.
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2 of 2 people found the following review helpful
Not what I expected 21 Feb 2012
By Cookie
Format:Hardcover
This book was not a true portrayal of the "real" Bond as we have always known him. I found the story weak, it lacked excitement and sensuality, and above all it lacked that very Britishness that makes up the elements of James Bond's character. The plot idea in essence was good, but it was all over the place and felt as if some sections were written as padding out of the story. I think Jeffrey Deaver ought to stick to the crime thrillers he writes so well and leave Bond to British writers who can make a convincing read. Sorry Jeffrey, but I think that Ian Fleming is a hard act to follow.
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Most Recent Customer Reviews
dreadful
What an unmitigated disaster, tedious, dull, confused, I read the early chapters excited about the unusual bad guy and his promisingly dreadful and mysterious nature and plans... Read more
Published 1 day ago by glenn atkinson
Better than Fleming
I'd already read three 007 novels, all by Ian Fleming, and I must say I was decidedly underwhelmed. Fleming's Bond is shallow and the novels have no coherence, so I'd already... Read more
Published 6 days ago by Dizzykitteh
let down
This was not what I was expecting. I enjoyed the first chapter which was action packed and got me gripped and wanting to read more. Read more
Published 1 month ago by Mandy
More "Steptoe" Than "Goldfinger"
Like the Daniel Craig movie Casino Royale [2006] [DVD] [2007], this novel reboots the Bond legend for the modern day. Read more
Published 2 months ago by ihateusernames
Not bad but...
This was an improvement on the dire Devil May Cry. Rather than a lame update, Deaver takes the approach of BBC's "Sherlock" and puts the characters in the present day (avioding the... Read more
Published 2 months ago by Bluepencilreview
i just want to use this for ratings
i just want to rate this so that i can get better recommendations; i'm not really so interested in writing a review.
Published 3 months ago by Robert A
The Name's Bland, James Bland...
The general consensus of reviews seems to be to compare it with Sebastian Faulks's much more sensual (but not sexual) attempt at writing 'as Ian Fleming'. Read more
Published 3 months ago by M. Needham
This Isn't the Classic James Bond!
I was utterly disappointed by the book. It was very thin in content and style - after finishing it I couldn't remember a thing about the story!
Published 4 months ago by Anthony Shields
Definitely not Bond
I love Deaver's writing. This was nowhere near his best work. I pretty much gave up half-way through. It now lives in my car to be read in bits when I'm waiting for my wife. Read more
Published 5 months ago by 1apreferably
After Ian Fleming...
After Ian Fleming, writers of James Bond books have adopted one of two approaches: Kingsley Amis and Sebastian Faulks followed the originals, setting theirs in the Cold War period;... Read more
Published 5 months ago by Graham James Mummery
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Who will be best for Bond? Deaver or Faulks? 2 14 Apr 2012
Home Delivery 2 10 Jun 2011
Cheaper to Buy Hardback than Kindle Edition? 3 31 May 2011
I look forward to reading this book 0 24 Mar 2011
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