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Set in April, 1945 - Italy. This work presents the last days of the Fascist Salo Republic. It features a brutal murder on the "good side of town" lands Commissario De Luca in the middle of a hornet's nest where the rich and powerful mix drugs, sex, money and murder.
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Most Helpful Customer Reviews
33 of 33 people found the following review helpful
Format:Paperback
Within the crime genre, I find that there's something inherently interesting in stories about policemen or detectives working within nasty regimes. There's Philip Kerr's excellent "Berlin Noir" trilogy starring P.I. Bernie Gunther, partially set in Nazi Germany. There's J. Robert Janes series featuring a French detective teamed up with a Gestapo agent in Vichy France during WWII. There's Martin Cruz Smith's Arkady Renko series, whose early books such as "Gorky Park" show the life of a Soviet cop in Moscow. And in the early '90s, Carlo Lucarelli wrote a trilogy set in the waning days of Fascist Italy, starring Commisario De Luca. In his introduction to this long-overdue translation, Lucarelli explains how an encounter with a retired policeman opened his eyes to an era when loyalties shifted with the wind, and factionalism reigned -- even among the police.
The story takes place circa April 1945 in Milan, where De Luca has just been switched from one of the political police units to the civil police as the German-allied civil administration is on the brink of collapse. It opens with the discovery of the body of a wealthy Italian/German fascist of murky occupation and many connections. Things get quickly complicated, as the fascist was also quite the lothario, and De Luca's capable team has its work cut out trying to establish just who might have been in the victim's apartment around the time of the murder. Further complications come from the general atmosphere, as partisans are loose in the city getting a head start on evening the score with those working for the Il Duce's regime.
Despite being very short -- really novella length -- the plot gets slightly overwhelming at times due to its complexity and the rapid pace. However readers who aren't distracted by all the smoke and mirrors will likely note the existence of a fairly substantial clue and obvious suspect. The tone and mood are pure noir stuff, as De Luca lurches around in an insomniac haze watching his back for a partisan bullet. My one major qualm with the book would be its length, it only takes about 90 minutes to read and one wishes that the publisher had proceeded with translating the entire trilogy and releasing it in a single volume rather than making us wait to see how (or if) De Luca survives the chaos.
The story takes place circa April 1945 in Milan, where De Luca has just been switched from one of the political police units to the civil police as the German-allied civil administration is on the brink of collapse. It opens with the discovery of the body of a wealthy Italian/German fascist of murky occupation and many connections. Things get quickly complicated, as the fascist was also quite the lothario, and De Luca's capable team has its work cut out trying to establish just who might have been in the victim's apartment around the time of the murder. Further complications come from the general atmosphere, as partisans are loose in the city getting a head start on evening the score with those working for the Il Duce's regime.
Despite being very short -- really novella length -- the plot gets slightly overwhelming at times due to its complexity and the rapid pace. However readers who aren't distracted by all the smoke and mirrors will likely note the existence of a fairly substantial clue and obvious suspect. The tone and mood are pure noir stuff, as De Luca lurches around in an insomniac haze watching his back for a partisan bullet. My one major qualm with the book would be its length, it only takes about 90 minutes to read and one wishes that the publisher had proceeded with translating the entire trilogy and releasing it in a single volume rather than making us wait to see how (or if) De Luca survives the chaos.
5 of 5 people found the following review helpful
Format:Paperback
First Sentence: The bomb exploded suddenly, with a ferocious blast, right as the funeral procession was crossing the street.
It is April 1945, the final days before the Allies move into Italy. Those in power are desperately trying to find a way to survive the coming days.
In the midst of this, Commissario De Luca has been given "carte blanche" in his investigation of the murder and castration of Rehinard Vittorio, a member of the Fascist Republican Party. With a mix of female suspects, drugs, witchcraft and more bodies, De Luca is a policeman trying to solve a crime.
This was a fast, and absolutely captivating, book. Lucarelli's creation of time and place provided a sense of the confusion and conflicting forces at play during this time when the primary concern was trying to survive.
Into that he brings the character of De Luca who, in spite of insomnia, dyspepsia, and political forces, is dedicated to being a policeman, solving the crime and bringing justice. De Luca's emotions are so well conveyed, as is the danger and frustration. The story is well-plotted and the characters alive.
There is good suspense and surprisingly ironic twist at the end. The mystery is solved, the murderer identified but you are left wanted to know what happens next to Comm. De Luca. Happily, Parts II and III of the trilogy await me.
It is April 1945, the final days before the Allies move into Italy. Those in power are desperately trying to find a way to survive the coming days.
In the midst of this, Commissario De Luca has been given "carte blanche" in his investigation of the murder and castration of Rehinard Vittorio, a member of the Fascist Republican Party. With a mix of female suspects, drugs, witchcraft and more bodies, De Luca is a policeman trying to solve a crime.
This was a fast, and absolutely captivating, book. Lucarelli's creation of time and place provided a sense of the confusion and conflicting forces at play during this time when the primary concern was trying to survive.
Into that he brings the character of De Luca who, in spite of insomnia, dyspepsia, and political forces, is dedicated to being a policeman, solving the crime and bringing justice. De Luca's emotions are so well conveyed, as is the danger and frustration. The story is well-plotted and the characters alive.
There is good suspense and surprisingly ironic twist at the end. The mystery is solved, the murderer identified but you are left wanted to know what happens next to Comm. De Luca. Happily, Parts II and III of the trilogy await me.
3 of 3 people found the following review helpful
Format:Paperback
It is April, 1945. Mussolini's regime is in its death throes, clinging to power in the north of Italy. Chaos and anarchy is rapidly replacing repression and order as the predominant feature of Italian life. Yet there is still some semblance of law and order so when a prominent and quite unsavory member of Mussolini's Republican Party is murdered, the police are called to the scene to investigate the crime. The crime is deemed sufficiently important for the police to be granted `carte blanche', to take any means necessary to solve the murder. Commisario De Luca is assigned to lead the investigation and his investigation is the heart of Carlo Lucarelli's enjoyable short novel "Carte Blanche".
"Carte Blanche", the first volume in what is known as the De Luca Trilogy, is rich in storytelling and atmosphere. As drawn by Lucarelli, De Luca is an interesting character. He is neither a hero nor an antihero. He seems to want to be nothing more than to be a detective yet as the story opens he has just transferred back to the regular police force after a stint with the secret police. He'd left because he didn't like that sort of work and seems quite willing to point out that no, he'd never tortured anyone. He is savvy enough to know that an investigation like this is one with political undercurrents that could put him in danger but his compulsion to gather facts and put together the pieces of a puzzle outweighs his sense of caution. As a result we see a story where De Luca persists in pursuing an investigation even when all his instincts tell him he is walking through a minefield.
The strength of "Carte Blanche" lies primarily in Lucarelli's ability to create an atmosphere of Italy on the edge of chaos. I got a real sense of time and place while reading "Carte Blanche". Apart from De Luca, Lucarelli does not invest a lot of time in presenting us with a full-blown character analysis of the key parties to the crime and its aftermath. We also don't get a lot of the internal life of De Luca but De Luca's actions tend to speak for themselves and over the course of the book I got a nice feel for his personality without having had Lucarelli spell it out for me.
At the story's end we see the threads of the investigation pulled together while the threads holding together the reigns of government come fully undone. The resolution is not so much a conclusion as it is a signal that De Luca and Italy are in for some very interesting times in the months and years to come. "Carte Blanche" was a very satisfying first volume to the De Luca Trilogy. Volume Two The Damned Season (De Luca Trilogy 2) has been republished recently and the third and final volume (Via delle Oche) is, apparently, due out soon. I've read and enjoyed Volume Two and look forward to the conclusion.
"Carte Blanche", the first volume in what is known as the De Luca Trilogy, is rich in storytelling and atmosphere. As drawn by Lucarelli, De Luca is an interesting character. He is neither a hero nor an antihero. He seems to want to be nothing more than to be a detective yet as the story opens he has just transferred back to the regular police force after a stint with the secret police. He'd left because he didn't like that sort of work and seems quite willing to point out that no, he'd never tortured anyone. He is savvy enough to know that an investigation like this is one with political undercurrents that could put him in danger but his compulsion to gather facts and put together the pieces of a puzzle outweighs his sense of caution. As a result we see a story where De Luca persists in pursuing an investigation even when all his instincts tell him he is walking through a minefield.
The strength of "Carte Blanche" lies primarily in Lucarelli's ability to create an atmosphere of Italy on the edge of chaos. I got a real sense of time and place while reading "Carte Blanche". Apart from De Luca, Lucarelli does not invest a lot of time in presenting us with a full-blown character analysis of the key parties to the crime and its aftermath. We also don't get a lot of the internal life of De Luca but De Luca's actions tend to speak for themselves and over the course of the book I got a nice feel for his personality without having had Lucarelli spell it out for me.
At the story's end we see the threads of the investigation pulled together while the threads holding together the reigns of government come fully undone. The resolution is not so much a conclusion as it is a signal that De Luca and Italy are in for some very interesting times in the months and years to come. "Carte Blanche" was a very satisfying first volume to the De Luca Trilogy. Volume Two The Damned Season (De Luca Trilogy 2) has been republished recently and the third and final volume (Via delle Oche) is, apparently, due out soon. I've read and enjoyed Volume Two and look forward to the conclusion.
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Most Recent Customer Reviews
A taster of what might have been
A potentially interesting trilogy if you like your crime fiction set against a turbulent historical or political background (try Qiu Xiaolong's Chen novels set in China) and post... Read more
Published 4 days ago by Retroman
Carte Blanche
I am a great fan of detective fiction and having read novels about Italian detectives by non Italian authors like Michael Dibden, Donna Leon and Magdalen Nabb I thought it was time... Read more
Published 11 months ago by Jean Pardey
Short but worthwhile
This is novella's action takes place in the chaos that was Italy at the end of the war. It's the story of an honest man trying to do an honest job but finding himself compromised... Read more
Published 12 months ago by Mr. Edward R. Addison
A powerful, historical, police procedural set in the last days of WWII...
American and British forces invaded Sicily in 1943 and Il Duce was voted out of power by his own Grand Council. Read more
Published on 6 May 2009 by Jana L. Perskie
Nothing New
Here's the premise: decent man in the service of the Fascist police with the allies getting closer and closer each day. Partisans on the roofs and various militias on the streets. Read more
Published on 15 May 2007 by Miran Ali
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