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Ek's choreography, forged from a number of influences of whom the flying figures at one point suggest Bob Fosse, brings home José's inner conflict, by having him at one point going into spasm in a series of jerky movements. Other gyratory movements within the ensemble are characteristic of his style. The orchestra consists of strings and percussion, the latter over-amplified on the soundtrack to a point that would become wearisome on repeated showings. The lack of colour in the production will not suit all tastes but for those who enjoy a contemporary slant on an old story--such as Matthew Bourne offered in his modern-dress dance version The Car Man--Ek's production offers a valid alternative view. --Adrian Edwards
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