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Carl Barât CD

Price: £13.54 & FREE Delivery in the UK. Details
Includes FREE MP3 version of this album.
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The first bit, you know already. The Libertines – the greatest rock and roll story of a generation, a classic British debut rock album in 2002’s ‘Up The Bracket’ and the capturing of countless hearts with a musical spirit we hadn’t been within touching distance of since Britpop. Now back in 2010 to play the Reading and Leeds Festivals, to finally have the ... Read more in Amazon's Carl Barât Store

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for 4 albums, 3 photos, discussions, and more.

Frequently Bought Together

Carl Barât + Waterloo to Anywhere + Romance at Short Notice
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Product details

  • Audio CD (4 Oct. 2010)
  • Number of Discs: 1
  • Format: CD
  • Label: Arcady Records
  • ASIN: B0040QE45M
  • Other Editions: MP3 Download
  • Average Customer Review: 3.6 out of 5 stars  See all reviews (10 customer reviews)
  • Amazon Bestsellers Rank: 47,970 in Music (See Top 100 in Music)

Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.

Song Title Time Price
Listen  1. The Magus 3:16£0.99  Buy MP3 
Listen  2. Je Regrette, Je Regrette 3:05£0.99  Buy MP3 
Listen  3. She's Something 2:29£0.99  Buy MP3 
Listen  4. Carve My Name 4:33£0.99  Buy MP3 
Listen  5. Run With The Boys 3:24£0.99  Buy MP3 
Listen  6. The Fall 3:31£0.99  Buy MP3 
Listen  7. So Long, My Lover 3:38£0.99  Buy MP3 
Listen  8. What Have I Done 3:42£0.99  Buy MP3 
Listen  9. Shadows Fall 4:16£0.99  Buy MP3 
Listen10. Ode To A Girl 4:00£0.99  Buy MP3 

Product Description

Product Description

Carl Bar - Carl Bar

BBC Review

The Libertines’ recent festival reunion was blessed – legends-in-their-own-lunchtime (well, they didn’t last very long) overcome bessie-mate bust-up to deliver a ‘greatest’ set list minus the ‘hope you like our new direction’ part. But there’s a touch of the curse about it too, as Carl Barât’s solo debut album has the tough task of very quickly following the band’s comeback.

Try as they might, Barât’s Dirty Pretty Things felt too contrived. The strength of his present set-up is that whatever form his songs deserve, they get. It means that ‘ruffian swagger’ is no longer a default setting, while the focus has shifted from Albion to a more European canon. Barât’s new collaborators reputedly include a member (or two) of British balladeers Cousteau, who share something of Tindersticks’ Gallic charm. It’s no great surprise given Barât’s French/Russian/Polish roots – though you probably weren’t expecting him to do the time warp as well.

Opener The Magus finds its feet around 1974, sounding more than a touch glam and theatrical, with splintering Aladdin Sane piano. It’s just a small step to the Brel/Brecht drama of The Fall (don’t forget, Barât’s forthcoming book Threepenny Memoir takes its cue from Brecht’s Threepenny Opera) while Shadows Fall’s sad chords and sadder cellos are stained with Serge Gainsbourg’s cigarette smoke. Je Regrette, Je Regrette even has a French title, though there’s nowhere on Googlemaps for this concoction of 60s Joe Meek production, muscular Smithsian bass, Libertines skiffle and a choir. Amazingly, the track not only avoids resembling a dog’s dinner, it’s also craftily catchy.

The lead single, though, is Run With the Boys, which resembles early solo Morrissey crossed with The Style Council. As unfair as unstitching the threads of each track sounds, it’s also fair to say Barât’s album is a composite of his musical education before he met Pete Doherty. Talking of his old mucker, So Long, My Lover is another Libertines echo (albeit in polished form), and though it’s doubtless about Carl’s old flame Annalisa Astarita, the sentiment "I was reckless, you were free / I took you round the world with me / so holy together / no devils could tear us apart," applies to Pete just as much. Try as he might, Barât can run, to Europe and beyond, but he will always find it hard to hide from his past.

--Martin Aston

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Customer Reviews

3.6 out of 5 stars
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Most Helpful Customer Reviews

5 of 5 people found the following review helpful By yesyou on 5 Nov. 2010
Format: Audio CD
As a long-time Libs fan, I suffered through the Dirty Pretty Things albums (to be fair, there were a couple of decent tracks on the first one) hoping for some of Barat's early genius. With the release of this solo album I was expecting more of the same (and the album cover certainly didn't inspire much confidence) but thought I would give him one last chance. And guess what? It's much much better. Now, don't get me wrong - it's not the Libertines - but it is a very good, very listenable album with several excellent tunes on it.
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12 of 13 people found the following review helpful By Smithson on 10 Oct. 2010
Format: Audio CD
I bought this album having heard "The Magus" being played in HMV which really caught my attention and not really being a fan of The Libertines/Dirty pretty Things etc. I had to ask a member of staff who it was. Having given the whole album a thorough listen it is a really excellent album in a very different style to his time with the above bands.

Barat's lyrics are intricate and poetic, and the tracks seem to have plenty of laid back swagger about them. Going from the under-produced sound of The Libertines this album really emphasises his voice and a less guitar-orientated mix means his lyrics cut through the simple yet effective beats and riffs. Tracks such as "Je Regrette, Je Regrette" and "She's Something" seem unusual at the first listen but they are truly infectious and keep me listening to this album on repeat at work.

A brilliant album from Carl Barat which I thoroughly recommend.
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3 of 3 people found the following review helpful By Charlotte on 31 Mar. 2011
Format: Audio CD
Not so shabby at all.

I'm going to be honest, I'd read reviews, and thought, dear God, Carl has killed it.

Libertines, Dirty Pretty things... then this. And when I heard it first time I thought this too.

BUT, that was only because it was so different from what I was extecting. I was expecting another album full of scratchy indie guitars, because that was the Carl we all knew and loved. But this really grew on me. I heard all the "different sound" stuff, but it really is an amazing album.

Carve my name is a personal favorite.

If I'm honest, I wish we could go back to the 'Up the bracket' days. The Libertines will always have a place in my heart. But this is in a new direction, and I love this too.

For a first venture into the solo career, Carl has suprised us all.

I love it.
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16 of 19 people found the following review helpful By stage_one on 8 Oct. 2010
Format: Audio CD
The two reviews so far have verged from hagiography to scathing unconstructive criticism. The answer in terms of the quality of this album, as usual lies somewhere in the middle. It's not a particularly bad album, it's just not very exciting either. Barat adopts a very middle of the road style with the arrangements, and the hooks and melodies aren't good enough to bring many of the songs above mediocrity. He is also let down lyrically on a lot of the tracks, especially on 'Je Regrette'.

But there are some very good moments on here, including the atmospheric 'Shadows Fall', the energetic 'Run With the Boys' and very Barat-esque opener 'The Magus'. There's plenty of highly competent instrumentation, and some work has obviously gone into making this record sound polished and getting the best out of the songs. There aren't any particularly standout low points, it's just that nothing on the album seems that memorable either. If you're a Barat fan it's probably worth picking up, as it's fairly enjoyable and presents a different side to the man and the artist. More casual listeners will struggle to play this more than a handful of times I suspect.
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3 of 4 people found the following review helpful By Sir Michael Bruce on 2 Feb. 2011
Format: Audio CD
I hate to use such a trite cliche as "grower", but this album is such a grower! Many of the criticisms I've read in the music press seem to be centred around the the fact that there are detectable influences at large in this recording. Leonard Cohen and Scott Walker seem to be the two most oft cited. "So what!" is my response. Carl Barat has produced an album of such versatilty and breadth, with soaring melodies and, as always, intelligent and poetic lyricism. Love, sadness, loyalty, betrayal and humour; all are to be found here. He really has cemented his place as one of the nation's finest songwriters. I look forward eagerly to see what he creates next.
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