A good version of the Pinter thought piece. Directing this piece either for stage or film requires a touch that enables the viewer to catch up with its possible under themes, and to reflect on the carefully written dialogue. This is done well here, the camera lingering on certain scenes when all the 'action' (mainly talk) has finished. Nicely cast using men who know what Pinter's all about: this is different to playing Becket, it is one step closer to real life while still not quite in the same room.
Rooms are central to Pinter productions, and this one didn't really have to be more adorned than it was, even if you sometimes catch yourself thinking, 'God why don't they spruce it up a bit?-No wonder they're miserable!' The production didn't necessarily have to be as bare it was, but it works well with Pinter on stage, so why shouldn't it on screen. This play also suits the shadowy two tone black and white photography. The film won't suit everyone new to Pinter, but it serves as a solid record of what he was about.