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Careless Love: The Unmaking of Elvis Presley
 
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Careless Love: The Unmaking of Elvis Presley [Hardcover]

Peter Guralnick
4.7 out of 5 stars  See all reviews (6 customer reviews)

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Product details

  • Hardcover: 784 pages
  • Publisher: Little, Brown; First Edition edition (4 Feb 1999)
  • Language English
  • ISBN-10: 0316644021
  • ISBN-13: 978-0316644020
  • Product Dimensions: 23.4 x 16.4 x 4.6 cm
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Bestsellers Rank: 370,620 in Books (See Top 100 in Books)

Product Description

Amazon.co.uk Review

Until Peter Guralnick came out with Last Train to Memphis in 1994, most biographies of Elvis Presley--especially those written by people with varying degrees of access to his "inner circle"--were filled with starstruck adulation, and those that weren't in awe of their subject invariably went out of their way to take potshots at the rock & roll pioneer (with Albert Goldman's 1981 Elvis reaching now-legendary levels of bile and condescension). Guralnick's exploration of Elvis's childhood and rise to fame was notable for its factual rigorousness and its intimate appreciation of Presley's musical agenda.

Picking up where the first volume left off, Guralnick sees Elvis through his tour of duty with the U.S. Army in Germany, where he first met--and was captivated by--a 14-year-old girl named Priscilla Beaulieu. We may think we know the story from this point: the return to America, the near-decade of B-movies, eventual marriage to Priscilla, a brief flash of glory with the '68 comeback, and the surrealism of "fat Elvis" decked out in bejewelled white jumpsuits, culminating in a bathroom death scene.

While that summary isn't exactly false, Guralnick's account shows what little perspective we've had on Elvis's life until now; how a gross caricature of the final years has come to stand for the life itself. He treats every aspect of Presley's life--including forays into spiritual mysticism and the growing dependency on prescription drugs--with dignity and critical distance. More importantly, Careless Love continues to show that Guralnick "gets" what Presley was trying to do as an artist: "I see him in the same way that I think he saw himself from the start," the introduction states, "as someone whose ambition it was to encompass every strand of the American musical tradition." From rock to blues to country to gospel, Guralnick discusses how, at his finest moments, Elvis was able to fulfill that dream. - -Ron Hogan

Review

beautifully written and refreshingly sincere, sets new high standards (DAILY MAIL )

Homeric in its play of beauty and folly, this is a monumental work (INDEPENDENT on Sunday )

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Customer Reviews

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Most Helpful Customer Reviews
17 of 18 people found the following review helpful
Kings are human too 16 Feb 1999
By A Customer
Format:Hardcover
Peter Guralnick paints a picture of Elvis unlike any other literature I've read on the entertainer. For the first time when reading of Presley I don't feel as if the subject is 'The King'. Instead, I am turning pages which describe Elvis Presley: citizen; tax payer; friend; husband; father; lover; and most importantly, singer.

Guralnick is able to scrape away the seemingly endless layers of myth surrounding his subject. He doesn't take the easy route by dwelling on events which are now 'folklore', such as the meeting with the Beatles. There is no dramatic telling of how the drug habit began. Rather, information on it is presented as any vice presents itself. Something which is part of the day-to-day life of the person and over time grows to control them. There is no judgement made here by the author, simply an account of events. When presented as a myth Elvis comes across as kitsch, a joke. Yet when presented as a homosapien by Guralnick he is absolutely fascinating. Pages float by regardless of the fact that we know the tragic ending. We are reading of a life like any other, filled with joy, sorrow, betrayal, dissappointment, triumph and death.

It is the passages recalling recording sessions and performances, however, where Guralnick's book truly comes to life. It is obvious the author not only loves, but believes in the music he is describing. Here we discover the true professional at peace with the artist. No 'good' song was complete unless Elvis was happy with the performance he gave. Recording sessions would go into the wee small hours with no guarantee of a successful result. The mood of the studio was of utmost importance and we learn of various producer's attempts to create an atmosphere where the singer could 'get into' a session and then hopefully 'lose himself' in the song. A common theme coming from these sections is that this is the only time the subject truly offered himself up for public consumption/scrutiny. Otherwise he kept a closed circle.

The detail, though necessary, can be overwhelming and one must have a determined thirst for Elvis and/or his music to see their way through. Guralnick delves into detail on subjects that, for people who play Presely's Greatest Hits while doing the housework, may seem like a waste of paper. People such as Colonel Parker, who has long appeared as nothing more than a greedy and manipulative manager, is given a fair hearing courtesy of the author's remarkably extensive research. The 'Memphis Mafia'(Presley's entourage), its members and their relationships with each other are examined and give another demension to a group which has previously been written off as simply a bunch of 'Yes Men' scavengers. These tangents however are the key to the book as by learning more about the people Preseley surrounded himself with we learn a tremendous amount about the man himself. Insecure, lonely, temperamental, dangerous, egotistical, unreasonable, hypocritical, immature, gifted, respectful, quiet, generous, loyal, loving, professional, inspirational - human.

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8 of 9 people found the following review helpful
By A Customer
Format:Hardcover
I bought this book in the States for something to read on the plane. I did not put it down until I had finished it, including during my bouts of jetlag.

I was 15 when Elvis died. On that day the Guardian newspaper ran a brief obituary on the front page. It basically tore into the man describing him as a drug bloated porpoise who used to blow up TV's for fun. This is still the widely held view of Presley.

After reading the book I reflected with great sadness how a man so talented had been steered so far off course by his well meaning entourage. Elvis was detoured by the Col Parker whose avarice was only outweighed by the size of his girth. His so called buddies kept him so dumbed down he just accepted his lot as a true gentleman.

Many famous people have said that when you get to the top there is no-one around you. You have no peers. In Elvis's case he was totally alone. Who had done what he had created? Sinatra perhaps, but did he create the hysteria like Elvis.

The financial dealings are very interesting. Again, here we have Elvis and Parker breaking new ground in what we take for granted in the entertainment business of today.

A fascinating account of a truly talented star.

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2 of 2 people found the following review helpful
By A Customer
Format:Hardcover
This and Guralnick's earlier book (Last Train to Memphis) are the only books on Elvis worth reading.Guralnick gives Elvis the dignity and intelligence that he has always deserved but never received.Unlike Albert Goldman, Guralnick does not set out to prove or disprove any preset thesis or assume moral or intellectual superiority. Instead, Guralnick, in meticulous detail, presents us with an Elvis who is intelligent,musically sophisticated and joyous despite the narrow limitations that commerce and cynicism imposed upon him.There is no moral to this story; Guralnick does not present Elvis' life as an inevitable trajectory of failure and dissolution but rather balances our knowledge of what happened with an understanding of the complex and contradictory forces that operated both within Elvis and in the world that he created.
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