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The book moves with great lucidity from Caravaggio's early success in Rome, to his exile in Malta and Sicily and his later astonishing religious paintings, undertaken in the dark years prior to his untimely death. Puglisi argues that Caravaggio was not the socially alienated painter that tradition has assumed, but that his highly innovative work took place within a deeply self-conscious awareness of contemporary developments within the composition of still life, portraiture, and devotional painting. What is so persuasive about Puglisi's argument is that, rather than diminish our sense of Caravaggio's originality, it only heightens our understanding of his brilliance in both composition and the use of light and colour. The final section of the book is particularly compelling in its account of Caravaggio's approach towards the composition of his work, as well as offering perceptive comments on the biographical assumptions which have grown up around the painter.
Throughout, Puglisi's passion for the paintings shines through; the book is beautifully produced, with nearly 200 wonderful illustrations, most in colour, a fascinating appendix of contemporary documents on the painter's life, and a checklist of all of Caravaggio's work. Caravaggio is a splendid book, which is undoubtedly destined to become the standard work in English on one of the greatest painters of Renaissance Italy. --Jerry Brotton
--This text refers to an out of print or unavailable edition of this title.
Product Description
Michelangelo Merisi da Caravaggio (1571-1610) has been rescued from neglect to emerge as something of a cult figure, celebrated for his boldly original art and for his short, violent and troubled life. This monograph on the artist's life and work is issued here in paperback format.
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