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Capturing The Friedmans [2004] [DVD]
 
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Capturing The Friedmans [2004] [DVD]

Arnold Friedman , Jesse Friedman , Andrew Jarecki    Suitable for 15 years and over   DVD
4.3 out of 5 stars  See all reviews (15 customer reviews)

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Product details

  • Actors: Arnold Friedman, Jesse Friedman, David Friedman, Elaine Friedman, Seth Friedman
  • Directors: Andrew Jarecki
  • Producers: Andrew Jarecki, Jaye Nydick, Jennifer Rogen, Marc Smerling, Peter Bove
  • Format: PAL
  • Region: Region 2 (This DVD may not be viewable outside Europe. Read more about DVD formats.)
  • Number of discs: 2
  • Classification: 15
  • Studio: Tartan
  • DVD Release Date: 26 July 2004
  • Run Time: 107 minutes
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (15 customer reviews)
  • ASIN: B000284A5G
  • Amazon Bestsellers Rank: 15,947 in Film & TV (See Top 100 in Film & TV)

Reviews

Amazon.co.uk Review

A Sundance Grand Jury prize-winner and a true conversation starter, Capturing the Friedmans travels into one apparently ordinary Long Island family's heart of darkness. Arnold and Elaine Friedman had a normal life with their three sons until Arnold was arrested on multiple (and increasingly lurid) charges of child abuse. Because the Friedmans had documented their own lives with copious home movies, filmmaker Andrew Jarecki is able to sift through their material looking for clues. Yet what emerges is more surreal than fiction: the youngest Friedman son went to jail; the eldest became a birthday-party clown. In the end, we can't be sure whether Arnold Friedman is a monstrous child molester or the victim of railroading. The portrait of a disconnected family is deeply disturbing, either way, and this film is further proof that a documentary can be just as spellbinding as anything a great storyteller dreams up. --Robert Horton

On the DVD:Like the film itself, the bonus disc that accompanies Capturing the Friedmans asks a lot of questions, offers a few pertinent answers, and leaves a legacy of mystery in a case that many never be fully solved. What really happened in the basement of the Friedman home in Great Neck, New York? Is Jesse as guilty as his father in the notorious case of child molestation? Additional excerpts of the Friedmans' home movies only deepen the uncertainty we feel after viewing the film, and video footage from two early premiere screenings demonstrates that emotions will continue to run high as long as lingering doubts remain. The "altercation" at the New York premiere is actually rather benign, but only because filmmaker Andrew Jarecki kept the crowd under control before arguments could boil over; at the Great Neck premiere, the case's judge gets a chance to comment on facts that the film omitted while praising its overall veracity. Uncut footage of the prosecution's star witness makes it clear that the case was on shaky ground; even more than in the film proper, this witness (whose face is hidden in shadow) comes off as marginally credible at best, and at worst a vindictive liar, further suggesting serious weaknesses in the prosecution's case.

On a lighter note, "Just a Clown"--the film Jarecki was making when he discovered the true scope of the Friedman story--is a delightful portrait of New York party clowns and their reigning king, David Friedman, whose business thrives as he caters to wealthy Manhattanites. It's clear proof that Jarecki's a gifted documentarian. A featurette about Andrea Morricone (son of the great film composer Ennio Morricone) highlights his creation of the film's evocative score. Returning to the Friedman case, an interactive dossier of Friedman-related media delves deeper into the lives and personalities of this dysfunctional American family, and "Jesse's Life Today" examines the ex-convict's relatively upbeat recovery from 13 years in prison for a crime he allegedly didn't commit. For armchair detectives, an extensive menu of pertinent documents are provided as DVD-ROM content, the most fascinating being Arthur Friedman's confessional "My Story," a psychologist's assessment of alleged vic! tims, and a curiously revealing "Friedman family contract." Taken together, these and other documents add even more complexity to the film's compelling, Rashomon-like study of truth. --Jeff Shannon

DVD Description

The Friedmans are a respectable, middle-class Long Island family, seemingly addicted to recording their daily lives – first on super-8, then on video. But their world crumbles when the father, a popular teacher, is accused, along with the youngest of his three sons, of molesting schoolchildren. Unbelievably, the arrest, trial and its horrifying aftermath are all chronicled in the family’s own home movies, revealing a tangle of contradictions and their comfortable world slowly disintegrates around them. The resulting story will haunt you long after the end-credits roll.

Nominated for the best documentary Oscar, the intriguing story of the Friedmans continues to develop and compelling new evidence, witnesses and uncut footage of the prosecution’s star witness are all presented on this two-disc edition. It’s time to find out who you believe now.


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Customer Reviews

15 Reviews
5 star:
 (8)
4 star:
 (3)
3 star:
 (4)
2 star:    (0)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.3 out of 5 stars (15 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

13 of 14 people found the following review helpful:
5.0 out of 5 stars A highly intelligent and well made documentary, 3 Feb 2005
This review is from: Capturing The Friedmans [2004] [DVD] (DVD)
I only rented the main feature through the Amazon rental scheme, so cannot comment on the extra features on Disc 2. Having said this, I wish that I had rented both discs as watching the film left me absolutely intrigued by the case and wanting to know more.
For the movie itself - it is an incredibly involving and at times shocking insight into how a seemingly ordinary family is torn apart by allegations of child abuse brought against the father and youngest son in the Friedman family. While the allegations themselves seem highly implausible, your certainty about this is always being undercut by potentially relevant evidence the other way. For example, the revelation that Arnold Friedman admitted to 2 incidents of instances where "he took liberties" with young boys when on summer vacation at his beach house, also the suggestion that he had a coercive relationship with his younger brother aged 8 when he was 11. While the brother himself denies this flatly, I am not sure that anyone would be brave enough to be filmed on a documentary - with his partner sat next to him all the while, although this is only suggested late in the movie when the camera fades out to a wider view as opposed to a talking head - admitting to this.
What was most fascinating was the footage filmed by one of the brothers in the time after Arnold had been arrested. The family pretty much divides along gender lines, with the boys vehemently denying that the allegations could be true with the mother saying that "she does not know." There is the whole issue of whether there was almost an unspoken compact between the father and the sons he had potentially abused versus the mother on the outside of this relationship. This comes into focus in the disputed version of events between Jesse and his lawyer when plea bargaining - the lawyer stating that Jesse admitted that his father had regularly abused him while he was growing up while Jesse states that the lawyer suggested he testify in this way to get a reduced sentence. Some of the denial from the oldest son, David, seemed so strident that I wondered whether this was part of a blocking mechanism.
What really made the film gripping was the absence of the main character (and one of the brothers) who the allegations were levelled against, Arnold Freeman. By the time the film was made, he had committed suicide, so the director could not ask him. Even while he was on film at home after the arrest had been made but before he was sentenced, he seems to have very little to say about what has happened while all around him are arguing and tearing strips out of each other. You could read this as the weary response of a beaten man. Alternatively, it could be the reaction of a man who knows he has done something wrong, though quite what we will never know. Interestingly, the one time in the film where he looks relaxed and happy with his family is the night before he received sentencing.
Arnold Freeman obviously was a paedophile, as the shocking testimony of one witness shows when he got excited by a 4 year while he was being visited in prison, but this doesn't necessarily mean that the charges against him were valid as many of the witnesses who testified against him appeared in the film to state that they were pretty much led by police and prosecutors to give the desired answers, especially the witness whose memories of abuse came from recovered memory therapy.
I do not know what the truth was after watching this film but I would absolutely recommend it to anyone who wants an intelligent, thought provoking and moving documentary. The interview with the film maker after the feature is also very worth watching. I will be watching the movie again before I send it back in the light of his comments.
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11 of 12 people found the following review helpful:
5.0 out of 5 stars Absorbing and Compelling, 4 Aug 2004
By A Customer
This review is from: Capturing The Friedmans [2004] [DVD] (DVD)
Watching this documentary is an amazing and potentially exhausting experience. In summary, the film centres on a family (the Friedmans - father, mother, 3 sons) who live in Great Neck, Long Island. The father and one of the sons are accused of molesting students of a voluntary computer class which is run at the family home after school in the early 1980s.

Amazingly, the family, who have always used video cameras to document their lives, film themselves during the ensuing hysteria surrounding the allegations. The viewer is therefore privy to highly personal family arguments and video diaries.

As time passes the allegations against the accused become more and more outrageous, particularly as no physical evidence is ever found. The prosecution relies entirely on testimony from 'the victims' some of which is elicited only after they have undergone hypnosis.

The reaction of the community is predictably hysterical - rumour and death threats long before any real facts are known. NB: If you think this could only happen in America, remember the News of the World 'outing' of sex offenders some of which were no longer at the addresses published and the resultant violence against innocent people?

Perhaps the most clever aspect to the film is that just when the viewer thinks they have made up their mind as to the innocence or guilt of the accused, something else is revealed which questions your judgment.

Modern day interviews with the family, the victims and the police further adds to the confusion.

Without giving too much away I will only say that this is one of the best documentaries I have ever seen with the genuine family footage making it all the more compelling.

The DVD extras are also exrtemely worhwhile, especially the heated debate between the 'cast' in the theatre where they have just watched the premiere of the film. There are also updates on the family and developments since the film was released cinematically.

Trust no-one.

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2 of 2 people found the following review helpful:
5.0 out of 5 stars Don't believe the truth, 1 Nov 2008
By 
This review is from: Capturing The Friedmans [2004] [DVD] (DVD)
To say this movie is 'thought-provoking' is perhaps putting it a bit lightly. "Capturing The Friedmans" should go down as one of the bravest and most honest films about the crime of paedophilia ever made: it makes no judgements, it takes no sides, it refuses to draw conclusions beyond the evidence (much of which is confusing, contradictory, and probably unreliable - from all sides).

It's easy in child-abuse cases to treat the accused as either monstrous perpetrator or misunderstood victim, but this film refuses to be drawn into either simplistic trap. Instead it shows, piecemeal, how testimony and evidence do not actually produce cut-and-dried cases, how the further into a story you go the more unclear it becomes, and how those with something to say are not always coming from unbiased standpoints.

This is less a film about child abuse than about the processes, hype and accusation-counter-accusation that accompany allegations of this sort. Somewhere in the middle of this disturbing story, there may well be victims who deserved better than the protagonists allowed them.

This film will leave a lasting impression on you, for a long time to come.
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