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British author Louis de Bernières is well known for his forays into magical realism in such novels as The War of Don Emmanuel's Nether Parts, Señor Vivo and the Coca Lord and The Troublesome Offspring of Cardinal Guzman. Here he keeps it to a minimum, though certainly the secondary characters with whom he populates his island--the drunken priest, the strongman, the fisherman who swims with dolphins--would be at home in any of his wildly imaginative Latin American fictions. Instead, de Bernières seems interested in dissecting the nature of history as he tells his ever-darkening tale from many different perspectives. Captain Corelli's Mandolin works on many levels, as a love story, a war story and a deconstruction of just what determines the facts that make it into the history books. --This text refers to an alternate Paperback edition.
Author deBernieres vividly depicts the various political movements which play out in Cephalonia--the Italian occupation; the German "cleansing" in which the Germans, nearly defeated in Europe, exact revenge on the Italians who have, with a change of government, withdrawn their support; and the later Communist insurgency in Greece and their opposition by fascist partisans. Always connecting these events to the lives of Pelagia, her father, Mandras, and Corelli, the author gracefully depicts the impact of political changes on the lives of ordinary people.
The horrors of the German revenge on the Italians reflect the wartime mentality and contrast with the good feelings various participants have been able to engender on a personal level. With the withdrawal of the Italians and Germans, the horrors of internecine warfare within the Greek community, and the extremes to which partisans, including Mandras, are willing to go are subjected to microscopic views.
DeBernieres is equally adept at contrasting idealistic young love with the institutionalized mindlessness of political passion, the love of the arts and history with the expediencies of political dogma, and one's personal commitments to other individuals with the commitments to ideologies. Realistic at the same time that it is also romantic, the novel conveys the absurdities of politics and places them within the context of real life. The author's exuberant, descriptive style enlivens the present in Greece while also emphasizing the culture of the past, leading the reader to recognize, ultimately, that in all times, wherever one finds wit and humor, one also finds pathos lurking in the background. Mary Whipple
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