...and that is the key to Captain Britain's success really.
In the 1970's Marvel UK reprinted back catalogue in B&W weekly comics ( Mighty World of Marvel etc) in 8 page chunks, several characters in each comic.
Then Marvel US decided to emabark on a new original series for British Readers. In colour no less! ( imagine the excitement ). Thus Captain Britain was born written by pre superstardom Chris Claremont and drawn by a post Hulk Herb Trimpe.
Stories , fun they were, consisted of the same old beats however just rehearsed in a British setting ( generally without the "Gor Blimey, Guv'nor!" accents ).They do have a real nostalgic charm however, especially if you were there at the time.
Still the title died a lingering death eventually being subsumed into other titles before Brian Braddock faded seemingly into limbo.
Then something happened, Marvel UK decided to make him "British".
Firstly in stories by Steve Parkhouse and John Stokes playing up the fantasy element in a decidedely British mythological landscape. ( these are lovingly reprinted in Panini Volumes of Captain Britain 1 - 4 available from Amazon and worth checking out .)
Then along came Alan Moore and Alan Davis and the stories beautifully reprinted in this volume.
The good Captain is given a new more dynamic costume (blissfully losing the original motif that was also stamped on every fresh egg in the 1970's!), he died , then resurrected in the ground breaking UK Title "The Daredevils "and plunged into a Multi Parallel Worlds saga ( with Captain Albion, Captain Airstrip One! etc etc ) that still reads superbly today. You can watch Moore and Davis grow in stature with each early episode as the good Captain takes on gap toothed villain James Jaspers ( only Terry Thomas could have played him a in a movie!), meeting the "Special Executive" , saving "Saturnyne" whilst avoiding the inevitable confrontation with one of the best villains ever created - "The Fury" whom you could not see being defeated , so strong was the set up, until it actually occurred in the finale.
All told with a, dare I say it "British" sensibility and wicked humour that sets it apart almost always for the best.
Davis' further work on the character in stories by Jamie Delano are also represented here and well worth the effort they are too. In addition there are some X Men tales featuring the characters and a lesser effort from Captain America ( with some nice Paul Neary artwork ) and some artwork form the aforementioned Daredevils title. All in all pretty definitive and beautifully and lovingly assembled a la all the Omnibus Editions from Marvel.