Most Helpful Customer Reviews
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16 of 16 people found the following review helpful:
5.0 out of 5 stars
indepth look @ a very deep subject, 19 Jan 2001
By A Customer
Mike Barnes spent 5 years researching the life & art of Don Van Vliet & those associated w/ him thru various editions of Magic Bands & companions. He has done a good job in making something well worth reading, hard to put down, that compliments the best music ever made. He doesn't try to make Beefheart a saint or run him down either, just tries to paint a balanced even picture which is difficult since DVV was rarely balanced or even. Of course getting the facts staright is near impossible since Don would always speak laterally in another dimension in interviews, always wanting to make his story even more interesting than it already was. Normally song by song analyses don't work but here I think Mike's observations are well thought out & helpful, I never really understood Hobo Chang Ba for instance until now. There are a few pages of photos hidden in the middle & the cover photo by the great Cal Schenkel. Whislt Don himself did not collaborate on the book project, luminaries like Bill Harkleroad [Zoot], Gary Marker & Alex St Clair did & many opinions are presented. Overall, it's well done & it reminds of the greatness of the music, whilst the chapters about his temporary decline in 1974 were slightly depressing. A thorough enough discography is included @ the back too. If you are someone who is obsessed or curious about the poetry, painting & energy of DVV, I say "if you got eyes, you gotta read it!".
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14 of 14 people found the following review helpful:
4.0 out of 5 stars
Fascinating attempt to de-mythologise the Captain, 29 Jan 2002
Barnes is to be admired for attempting to demolish some of the layers of myth surrounding Don van Vliet - admittedly, Beefheart built most of them himself!His biography is strongest on Vliet's early years, his curious friendship with Zappa, and the early albums - it starts to fall apart a little after the two "commercial" albums and treats the later recordings as being little more than a coda made up of existing material. There is some interesting and rather moving content on van Vliet's post-retirement life as a painter. All in all, a biography that doesn't fawn over van Vliet, that tries to be reasonably objective, that tries to debunk some of the more absurd myths and treats his words and music seriously. Pretty much mandatory reading for any real Beefheart fans.
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12 of 12 people found the following review helpful:
3.0 out of 5 stars
A too-linear approach to a great lateral-thinking artist., 14 Nov 2000
Captain Beefheart is a thorough book by an articulate author whose researches I felt I could trust. This was one biography I didn't want to put down because the story of Don Van Vliet and his various Magic Bands is a great story. Nevertheless, I do have a pretty serious gripe with Mike Barnes's book, and that is that Mike is not a great story teller. While Don Van Vliet stands as one of the most lateral-thinking artists of the 20th Century, the author approaches Van Vliet's story in a singularly linear fashion. Once the fascinating tales of Van Vliet's youth, the early days of the Magic Band and the Trout Mask sessions have been told, the book settles into a repetitive album-by-album formula: Don getting a band together, rehearsals for a new album, recording, a track-by-track description of the album, how the album was received, the tour. And then back to Don getting a band together for his next album... In his poetic descriptions of each track, Mike Barnes makes a valiant attempt to capture in words something for which words are hopelessly inadequate. However, I felt that these track-by-track descriptions were particularly unnecessary and tedious because nothing can do justice to Beefheart's music except the music itself. As an admirer of Captain Beefheart and as a musician, this book was a must for me. The details of recording, song-writing and performance kept my interest, though I can't imagine that these aspects of the book would appeal to anyone other than musicians. What also kept me going to the end was the Beefheart story itself, which shines through the book's shortcomings; and despite the shortcomings, this is a good book. While Van Vliet the man must be an extraordinarily difficult subject to capture in a biography, Mike Barnes undertakes the task with assurance and exercises sound critical judgement throughout. Still, this is probably for musicians and hard-core Beefheart fans only. Ethan Roach, London 14/11/Y2K
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