Max Cady is fresh out of prison and down in Florida looking for someone in particular. That person is lawyer Sam Bowden, the man who Cady holds responsible for his years of incarceration. Once Bowden realises that Cady is out for revenge, and that his family are in serious danger, he turns to the police for help, but unable to get help from them, he goes outside of the law, and all parties are heading for the foreboding place known as Cape Fear.
Brilliant villainy, unnerving story and suspense pouring from every frame, Cape Fear is an abject lesson in how to produce a quality thriller. Based on a novel called The Executioners written by John D. MacDonald, the piece is bolstered by some perfect casting decisions and by having a director able to pace with precision, it stands tall and proud as a highlight in a tough old genre. Robert Mitchum is Cady, a big hulking man with an immoral face, he terrifies purely by his undaunted objectives, with Mitchum clearly revelling in such a role. As Bowden we have Gregory Peck, playing it right as the uptight and stiff lawyer forced to find toughness from within. Backed up by excellent cameos from Martin Balsam, Telly Savalas and Polly Bergen, Cape Fear also features one of Bernard Herrmann's finest scores, a complete and utter nerve shredder that hangs in the ears long after the film has finished.
What lifts it above many of its peers is that its dialogue is firmly accentuated by the character portrayals, watch as Cady calmly digresses about how he learnt the law in prison, or how he seeps with deviant sexual aggression when confronting the Bowden women, it's unnerving and literally a force of evil. Director J. Lee Thompson was a steady if unspectacular worker, but he directs this with no amount of zip and then he perfectly reins it in for a stifling last quarter at the Cape Fear bayou, by then I hope you are as living on your nerves as I invariably always am! 9/10