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A Canterbury Tale is a compelling drama set amidst the backdrop of World War Two Britain. Directed by Michael Powell and Emeric Pressburger ("A Matter of Life and Death"; "The Red Shoes"), it has been acknowledged as one of the duo's finest films. Their reworking of Chaucer's epic fourteenth century tale--largely set in Kent--revolves around an American army sergeant, a British soldier and a land girl who, before making a modern-day pilgrimage to Canterbury, solve the bizarre mystery of a man who pours glue over the hair of village girls at night.
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That it was made when it was makes it truly prophetic.
It's blissfully hard to categorise. It is sentimental, it does have comedy but there is an underlying menace - a malevolent incongruity that seems to hallmark director Powell's best work. The whole notion of a midnight prowler deliberately pasting glue into women's hair is a good example of this kind of alternate reality. There is a specific scene where a many hands are vigorously washing the hair which seems disturbingly loaded with sadism.
Yet the subject (and the reason for buying) is history - what in the middle of WWII can be realistically retained. What has to give way? So we see the cocky GI find an affinity with an English carpenter, a cynical cinema pianist collaborating with a cathedral organist and a middle aged magistrate judged and sentenced by one of his own victims.
It's beautifully photographed, particularly the scenes of rural life yet contains a strangely powerful message for this generation, faced with the cultural narrowing of globalisation of the arts.
Not a Multiplex fave...but you should see it for just this reason.
Recommended unreservedly.
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