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Cantatas for the Complete Liturgical Year Vol.16 Hybrid SACD


Price: £15.43 & FREE Delivery in the UK. Details
Only 4 left in stock (more on the way).
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16 new from £11.56 1 used from £18.95

Frequently Bought Together

Cantatas for the Complete Liturgical Year Vol.16 + Cantatas for the Complete Liturgical Year Vol.15 + Cantatas for the Complete Liturgical Year Vol.14
Price For All Three: £45.30

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Product details

  • Conductor: S. Kuijken
  • Composer: J.S. BACH
  • Audio CD (17 Jun 2013)
  • Number of Discs: 1
  • Format: Hybrid SACD
  • Label: Accent
  • ASIN: B00BUN7A22
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Bestsellers Rank: 212,925 in Music (See Top 100 in Music)

1. O Ewiges Feuer, O Ursprung Der Liebe
2. Herr, Unsre Herzen Halten Dir
3. Wohl Euch, Ihr Auserwählten Seelen
4. Erwählt Sich Gott Die Heilgen Hütten
5. Friede Über Israel
6. Erhöhtes Fleisch Und Blüt
7. Ein Geheiligtes Gemüte
8. Gott Will, O Ihr Menschenkinder
9. So Hat Gott Die Welt Geliebt
10. Unendlichster, Den Man Doch Vater Nennt
11. Rühre, Höchster, Unsern Geist
12. Erwünschtes Freudenlicht
13. Gesegnete Christen, Glückselige Herde
14. So Freuet Euch, Ihr Auserwählten Seelen!
15. Glück Und Segen Sind Bereit
16. Herr, Ich Hoff Je
17. Guter Hirte, Trost Der Deinen
18. Gelobet Sei Der Herr
19. Gelobet Sei Der Herr
20. Gelobet Sei Der Herr
See all 22 tracks on this disc

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Most Helpful Customer Reviews

5 of 5 people found the following review helpful By C. Wake on 17 July 2013
Verified Purchase
If you get your idea of a Bach cantata from John Eliot Gardiner's SDG live set, then listening to these recordings from Sigiswald Kuijken may give you a quiet shock.

Gardiner's performance method is dominated by an expert, energetic chorus, exploding with sibilants and consonants in the best English choir tradition. His choir is backed up by a powerful band and solos generally taken by well-known concert or opera singers. All is pazazz - or extreme pathos. The audience must be grabbed by the throat; that seems to be Gardiner's guiding principle, and "fair enough" you may say - after all, he wants to sell records.

Sigi Kuijken is more concerned with Bach's own intentions and practices in church music. His performances are dominated by the band, around which the text is hung by single voices - in the "chorus" movements, as well as the "solo" movements. You might suppose this results in inaudible "choruses" but this is not so; four voices together can make a lot of noise (indeed acoustic theory tells us that Gardiner's 32 singers will only be twice as loud as Kuijken's 4). What changes is the way we listen to the voices; instead of hearing a choir accompanied by an orchestra in a mini-oratorio, we now hear a sort of texted concerto; and it comes as less of a surprise to learn that Bach himself did not call his church-pieces "cantatas", but often referred to them as "concertos".

Kuijken pushes this approach to its extreme by his choice of performers.
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