Jeff Chang's "Can't Stop, Won't Stop" looks, on the outset, to be a book primarily interested in music. It's not. This is a stunningly well researched history of the entire Hip-Hop culture covering DJing, Rapping, Graffiti, and Breakdance B-Boy style. Chang puts the entire genre into context in a similar fashion to John Savage's "England's Dreaming" yet while Savage is interested primarily in the music, Chang is more of a social/cultural historian. Hence he charts the development of the actual music itself in a rather cursory fashion which is likely to infuriate anyone who wants a history of Rap.
That said the whole movement is put into context giving a vivid history of gang culture, the development of Jamacian dancehall, the orgins of crack, the police brutality in California (and elsewhere) during the 90's to mention just a few of the other facts included. This is something of a treasure trove and gives wonderful and vivid detail of what Chang ends up citing Robin D G Kelly's idea of polyculturalism - understanding that a culure is made up of, and referencing, different quite distinct culural experiences. From that it's fair to conclude that Chang's ideas are academic at times but his writing style is very readable. Taking the voices of the people involved to tell the story also gives this book a great sense of the authentic. Speaking of this, I could almost recommend it just for Kool DJ Herc's blistering forward where the original Hip-Hop DJ strikes out in wonderfully eloquent style. His introduction should be read, and acted upon, by Barack Obama for its clarity of vision.
Due to Chang's particular interests the early years feel more detailed and the story clearly told. Once reaching the 90's the book doesn't give much space to the commercialisation and commodifying of Hip-Hop. There is little mention of the big players of today, and the book shifts its tone to somthing akin to Naomi Klein's "No Logo" in its mistrust of the corporate. He, like Klein's anti-globalisation agitator protagonists, prefers to see things from the grass roots underground and look at the culture as an agent for social and political change. It's the book's only real false note and it may give some a feeling that the story is half told towards the end. That said, it gives a message of positivity and hope of the kind which probably helped Obama into the Whitehouse. As the book predates all of that, this point is more a matter of conjecture.
A book for music fans, possibly. The appeal of this is more for those who like to place music within the confines of contemporary culture as a whole. If you liked "Rip It Up & Start Again", "England's Dreaming",Dance: Chic & The Politics Of Disco", or even "No Logo" you will find something in this. It's a vivid account of the underground history of a movement which began with a few bloc parties in the ghettos of 1970's New York and is now found on the streets of almost every city in the world. A brilliant telling of the roots of a global phenomenon.