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Unlike novels such as “The Bridge” or “Walking on Glass”, “Canal Dreams” is based completely in reality. Unlike “The Crow Road” or “Dead Air”, you’d be forgiven for forgetting this fact. The story concerns a famous Japanese cellist who becomes involved in a hostage situation on board a ship unable to escape from the Panama Canal. Essentially, this book is a thriller, but because it’s Iain Banks, you get the suspicion that there’s a lot more going on under the surface than you’re actually aware of. Which is often a good thing, but in this case I couldn’t really make head nor tail of it.
I suspect, though, that “Canal Dreams” was more a satirical take on politics at the time of its publication, making it – at least to a degree – a little irrelevant here and now. Of course, you can just read this as a thriller, but to get more from this book perhaps you need to be older than me. Well, that’s enough of my naysaying – “Canal Dreams” is a very clear, often shocking, illustration of the way life can treat you in very unexpected ways, and just how fragile our lives truly are. Banks keeps the events described realistic right up until the end… without giving away what happens, just bear in mind that the central character’s final actions are completely impossible.
There’s a great deal of tension felt when reading this book – Banks could (and does) do anything at any moment, which enhances the sense that life can and will throw anything your way whether you like it or not. High-octane is probably the best way to describe “Canal Dreams”, and in the end that’s probably all that can be fairly said of it. Simply put, this is an entertaining, well-written read, but intrinsically shallow compared to the more cerebral efforts usually on offer from Banks.
Worth a read, but don’t expect it to keep you thinking for long.
Some great twist made this an interesting read, only my second Iain Banks novel,... Read more
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