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Review
Roland Barthes' final book - less a critical essay than a suite of valedictory meditations - is his most beautiful, and most painful Observer Of all his works it is the most accessible in language and the most revealing about the author. And effortlessly, as if in passing, his reflections on photography raise questions and doubts which will permanently affect the vision of the reader Guardian I am moved by the sense of discovery in Camera Lucida, by the glimpse of a return to a lost world New Society
Book Description
Beautifully reissued alongside Mythologies
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Most Helpful Customer Reviews
18 of 19 people found the following review helpful
Format:Paperback
This is a remarkable piece of work and it is rather bleak in its implications. Barthes so often touches on the inexplicable and for many his writings are paradoxical and sometimes unapproachable. The key so often is understanding that he stands at a kind of pinnacle of polemics of the last century and many of those philosophical polemics are teasingly obtuse for the great majority of us who have come through mainstream and hopelessly over rational educations. That is not to suggest that Barthes is irrational but that he bravely ventures where many fear to tread in order to question myths that humankind takes as read.
This particular essay ventures into the debate of the death of painting that has been raging since the invention of the camera. Whilst he is not so obvious as to suggest that this is the essence of the debate he defines by implication why the photo can never replace painting. The photo unequivocally represents what it represents. And what it represents is death.That is its bleakness.It always represents the past.There is always something rather spooky about photography for this reason because it allows the return of the dead through realistic and yet at the same time spectral visual evidence i.e.not representation.
It is all too easy to be negatively critical about such a work because it is by no means easy to get a handle on it in one reading but that of course is its strength. There is much that this work could be said to embrace not least the aforesaid debate regarding the death of painting, but in addition the artificial ways in which history is constructed as well as the deconstruction of human myths.
Mythologies (Vintage Classics)
This particular essay ventures into the debate of the death of painting that has been raging since the invention of the camera. Whilst he is not so obvious as to suggest that this is the essence of the debate he defines by implication why the photo can never replace painting. The photo unequivocally represents what it represents. And what it represents is death.That is its bleakness.It always represents the past.There is always something rather spooky about photography for this reason because it allows the return of the dead through realistic and yet at the same time spectral visual evidence i.e.not representation.
It is all too easy to be negatively critical about such a work because it is by no means easy to get a handle on it in one reading but that of course is its strength. There is much that this work could be said to embrace not least the aforesaid debate regarding the death of painting, but in addition the artificial ways in which history is constructed as well as the deconstruction of human myths.
Mythologies (Vintage Classics)
9 of 10 people found the following review helpful
Format:Paperback
If you're into photography, and more than "guy with camera" status, this is a must read. Barthes comments and questions what it means to be a photographer and the outcomes; photographs. Very interesting. This is not a book on how to take a photograph, or even a concise history of the art form. So don't buy it if you want to improve your skill.
52 of 66 people found the following review helpful
Format:Paperback
Barthes wrote this book out of urge to discover the real nature of Photography. In the first part of the book he establishes his own system to do that. This system is based on two "cathegories" that Photography contains, studium and punctum. In the second part he wants to come closer to eidos, the nature of Photography. Therefor he takes one of his photographies, showing his mother as a child. Out of his emotions by this photography he builds the theory, often comparing it with another art, Film and sometimes also with Theatre. The book can also be recomended to wider public, not only philosophers, because it is written in a simple, understandable way, but is still opening some major questions regarding its subject.
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Most Recent Customer Reviews
A philosopher's view on images more than on photographing
This book has been recommended to me to help my reflections on photography and images. It is complex and requires some elaboration effort for the practical application I am looking... Read more
Published 3 months ago by Luca Alessandro Remotti
Very French philosophy
On first reading this book I was drawn to recall the Fawlty Towers episode where the medallion man says "Pretentious, moi?" and I wondered how you would translate that into French. Read more
Published 12 months ago by D. Ayres
Very Fast
The book came very quickly to my house. Overall it was a very smooth process and I would buy from them again.
Published 14 months ago by AaronH
camera lucida
neeeded for uni course, quite a heavy read and bit tough to get your head around at first but with 2 or 3 reads starts to become easier to undersatnd.
Published 15 months ago by Gem
if you have to.......
I "had" to read this for an MA. If you "had" to read a book to inform your photography and have done all the digital "how to" and "what to do" self help manuals, try this. Read more
Published on 19 Aug 2009 by Malcolm Boyd
Good photos announce the unexpected and go beyond the pose
This little book is quite hard to read but it's worth the effort. It focuses on the elements in photographs that surprise the viewer. Read more
Published on 24 Mar 2009 by Haiku Fan
a book about Barthes and not about photography
To get a feeling for this book read the most negative coments from reviews of his "Mythologies" and you'll be on the right track. Incorrect assertions are presented as fact. Read more
Published on 6 July 2008 by A. Shuttleworth
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