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The film follows the loss of Annies husband, John, the spark of the calendar idea, their white wine fuelled photoshoot, the ensuing media frenzy as the world wakes up to Yorkshires very own calendar girls and the effects of their new found media fame on their friendships and families.
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In the film adaptation, Helen Mirren plays Chris Harper (based on real-life Tricia Stewart) and Julie Walters and John Alderton play Annie and John Clark respectively (based on Angela and John Baker). The calendar saga, from conception to realization and international fame, is centered in the fictional village of Knapley. Harper originally gets the idea after 1) finding a soft porn magazine hidden in her teenage son's room and 2) noticing a girlie calendar on the wall of a village shop. The plan is to produce and sell 500 copies of the calendar to raise the 900 pounds necessary to buy a new sofa for the Relatives' Waiting Room in the local hospital in which John Clark died of his disease. Not only must Chris and Annie surmount the understandable reluctance of their friends and fellow WI members to pose nude (not "naked"), but also convince the chairwomen of the District and National WI that the reputation of the organization won't be sullied.
There is, of course, some nudity in the film, but, as on the calendar itself, it's discreetly done. The naughty bits are strategically hidden by sticky buns, flowering plants, and such. But enough of Helen Mirren is seen for the viewer to realize that physical beauty and maturity of "that certain age" are not mutually incompatible.
Though the script touches on such sober subjects as teenage drug use and spousal infidelity, the film as a whole is delightfully witty, charming, warm, and poignant. And then there are the beautiful Yorkshire towns and fells in which the movie was shot. Is this one of the year's best films? No. Is it a great cinematic achievement? No again. But, I'm giving it five stars anyway because, as an entertainment vehicle, it's everything I ask for when I go to a motion picture show. I sat and watched with a silly smile on my face for almost the entire run time, and left the cinema in no way unsatisfied. What more could one reasonably want?
It has that understated quality that makes it very believable and draws the audience into the story, triggering emotions along with the experiences of the characters. There are films that have made me laugh and some that have made me cry, this is the first that did both at the same time. There are a number of human issues dealt with in the film without overt drama but in a warm and very genuine manner.
And there is most definitely humour. Definitely a British classic and one for the collection!
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