Abdulrazak Gurnah's By the Sea
tells of an elderly man coming to Britain from Zanzibar, off the coast of Tanzania, as an asylum seeker. Rajab Shaaban--the name on his passport--does not explain to the British immigration authorities why he needs asylum, expecting only to be accepted, as the government of Zanzibar has been officially designated "as dangerous to its own citizens". The picture Gurnah paints of the asylum-seeker's lot in late 20th-century Britain is not a favourable one. Shaaban comes to Britain claiming he cannot speak English, yet understands all that is said to him. Through this deception he meets, after 30 years, the son of his namesake; Latif Mahmud has settled in Britain and is presented as an academic expert who will speak Rajab's language. We also receive glimpses of the torture and imprisonment of Shaaban in his own country, where men abuse their power after independence from colonialism. However, this unfair treatment is marginalised by the deception, bitterness and revenge that reverberates between the two families of Gurnah's story.
By the Sea does not present the reader with sympathetic characters and the tales that are woven are often confusing and petty. Mahmud and Shaaban take it in turns to tell their side of the story, almost drenching the reader with too much detail. Notably, Gurnah always makes his characters point out that they do not tell each other the whole truth; they leave gaps as if to protect each other and their families. Unfortunately, this makes the narrative distant and incomplete. It is hard to appreciate the stories and lives being unravelled when the narrators themselves seem unlikeable and distrustful. However, this may merely be a reflection of the bitterness and deprivation suffered in post-colonial Zanzibar, and the desolation that refugees find when away from their birth land. --Olivia Dickinson
--This text refers to an out of print or unavailable edition of this title.
"From the opening lines you know you're in the hands of a real writer, someone with something to say about the world." -- The Observer, 7th July 2002
"an impressive story" -- Financial Times, 6th July 2002
Achingly good... more than an eloquent novel: a necessary one... urbane, graceful and wholly captivating. -- Sunday Telegraph
An epic unravelling of delicately intertwined stories that criss-cross the globe... astonishing and superb. -- Observer
Marvellously rendered... human beings constantly surprise with being better, tenderer, braver than either they or others have realised. -- Independent on Sunday
One scarcely dares breathe while reading it for fear of breaking the enchantment. -- The Times