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Nice touch with the convict's dictionary-derived pedantry; I wish it had been carried further (in Charm City Laura did a similar thing with Spike's assistant's forming statements as questions).
One caveat for the author: the heroine's family/friend environment is starting to resemble a Tom Clancylike picture of social palatability, albeit with an NPR-approved, nineties urbanite twist. Sigh. I mean, what's next? Kitty becomes a lesbian and finally can enjoy a meaningful relationship? There might be more dimension in revealing the humanity of one who is politically anathema to the author. Readers should check out NYC journalist Sparkle Hayter's wacky mysteries. Though I prefer Baltimore!
However, the witnesses to the Butcher's crime start getting killed. Tess wonders if she has abetted her client whose reparation might really be revenge. As she investigates what is going on, Tess finds herself butting heads with a system whose victims are the children it allegedly was set up to help.
BUTCHER'S HILL, the third novel in the Monaghan mysteries, proves that three is the charm as it is as good as the superb first two tales (see BALTIMORE BLUES and CHARM CITY). The dialogue, especially on race relations, is some of the most realistic and believable to grace a mystery in years. Tess is a terrific character and the city of Baltimore adds a special flavor as used by the talented Laura Lippman. This trio of novels is top rate, enjoyable literature that fans of female sleuths need to read.
Harriet Klausner
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