Barbara Hambly, despite not having written my favorite books, may be my favorite single author--I've followed her from fantasy to horror to mystery to historical fiction and loved so much of what I've read. I care about her protagonists. I want to follow their stories. It's such a disappointment that various publishers have discontinued her series; bless Severn House for bringing Benjamin January back to us!
Having said that... the combination of very small indents and a large font in the typesetting, and single quotations where I'm used to double--is this a British thing?--doesn't read well. It's the only down side to the book. Of course, I'd rather have a January story set this way than no January story at all.
The series began in 1998 with _A Free Man of Color_. Benjamin January is the titular colored gentleman, a musician, trained as a surgeon in Paris, living again in the city of his birth. Three years have passed since he returned to New Orleans and while he still earns his pay with a piano, he has married for the second time and owns a good-sized house in town. His friend Hannibal Sefton has been near his side from the start. Neither we nor January have ever known much about Hannibal's past. That's sure to change, for the white corpse discovered in a black man's coffin belongs to someone the fiddler once knew, and Hannibal is strangely adamant that Patrick Derryhick couldn't have been killed by Viscount Foxford despite the young man's ample motive....
Ms. Hambly hasn't lost her touch in the five years since _Dead Water_ came out, and January, Hannibal, and New Orleans are splendid as ever. There aren't any historical figures in this one so far as I know, and Rose plays a minor part. I count both in the plus column--I used to worry January would be replaced as the hero by the adventurous husband-and-wife team. Not so, thankfully. Familiar faces from other stories turn up, but if you don't recognize them, it won't make a difference. The main reason to read the older books first (aside from enjoyment!) is to get familiar with the culture of New Orleans circa 1836, and even that isn't critical. You could begin the series here. The plot is as fast-moving and edged with danger as any, the descriptions as rich, the mores of that time and place as unsettling.
Finally getting Hannibal's backstory makes _Dead and Buried_ particular great, if the Latin-quoting fiddler is one of your favorite characters as he is mine--the revelations don't change how much I enjoy him, either, they're just a chunk of his puzzle slotting into place.
Everybody who likes period mysteries and has any interest at all in pre-Civil War New Orleans should find themselves a copy at once! And pass the word along! It's a rare series that isn't flagging by its ninth book; Benjamin January shows no sign of running out of grim puzzles to solve or social struggles to overcome, nor Barbara Hambly out of savoir faire.