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His first task, to solve the ritual murders that are plaging the city. As more people die, the suspects are narrowed to a small group of four, all with equal motive and potentially twisted minds, and all powerful enough to make Sano's life a nightmare if he continues his pusuit!
After "Shinju", the first book on the series, the author astonish us again with a really believable reconstruction of 17th century japan in the city of Kyoto. Plot is interesting and keeps you holding your breath till the end, although the psychology stuff is a bit crude. A book to recommend.
I think this is a pretty decent book and it could have been better if the main villian wasn't so one dimensional. The Yanagisawa character proves to be very cardboard like in its characterization. Once more, I think that the author's understanding of Tokugawa politics appears to be very limited. Nobody with Yanagisawa's personality and tact as described in the book would last very long in samurai politics. Another thing is that the author seem to think that homosexual politics was paramount within the Tokugawa bakufu. Unfortunately for the author, homosexual activities in Japan was no more and probably no less then those in Europe. Why an all powerful Yanagisawa would ever fear a relatively nobody just because the Shogun seem to be mildy fond of him proves to be totally illogical. Another interesting oversight was the fact that Sano wears a Tokugawa crest when he works. That crest alone, would historically give him almost unlimited powers. No mere police officials would stand in his way or anyone's way if that individual was wearing the Tokugawa crest on his back. It appears that the author seem to be putting artifical elements in her story to created artifical dangers for her hero.
While good reading overall, the writing proves to be relatively lightweight in material and plot.
Sano must find the killer, while avoiding the wrath of the jealous chamberlain Yanagisawa, the allure of the mysterious priestess/ninja Aoi, and a host of uncooperative samurai and citizens.
Strengths:
Throughout the book are colorful descriptions of old Edo (now Tokyo) that give a sense of place. Rowland evokes the five senses, as well as inner senses with respect to atmosphere. I liked that there was action in the city aside from the investigation, such as the riots and resulting fire that burned throughout the latter portion of the book. This gave me the idea that there were other things happening outside the life of Sano. Rowland gives detailed physical descriptions of characters. Her use of history and cultural notes pulls one into the period. I also liked the sexual tension between Sano and Aoi, with love interest possibilities, plus the addition of the loyal Hirata as a sidekick.
Work areas:
The mystery ends up not nearly as compelling as the numerous subplots that surround it. As an antagonist, Yanagisawa basically has no redeeming qualities. There were times when Sano, an educated and intelligent man, acted so thickheaded that I wanted to throttle him. While the sensual details worked, Rowland needs work on showing emotions rather than telling them. There were also instances of someone saying something in Japanese, then translating it themselves into English, such as "Okashii ridiculous." I also can't let slide this gem of dialogue: "Dirty saboteur! Who are you working for, you agent of evil and darkness?"
Still, I enjoyed the period detail and the pacing was gripping, keeping me moving the story. I'm looking forward to watching these characters grow and eager to find out what happens next.
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