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Bullet to the Head
 
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Bullet to the Head

8 Feb. 2013 | Format: MP3

£7.99 (VAT included if applicable)
Also available in CD Format
Song Title
Time
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30
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5:04
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2:42
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2:58
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1:47
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1:59
30
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1:25
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3:16
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1:28
30
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1:58
30
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0:59
30
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2:11
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6:41
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1:16
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3:07
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15
5:24
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Product details

  • Original Release Date: 8 Feb. 2013
  • Release Date: 8 Feb. 2013
  • Label: Varese Sarabande
  • Copyright: 2013 Warner Bros. Entertainment Inc.
  • Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
  • Total Length: 42:15
  • Genres:
  • ASIN: B00BEVDF8S
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Bestsellers Rank: 51,475 in Albums (See Top 100 in Albums)

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2 of 2 people found the following review helpful By C. Loescher on 19 Feb. 2013
Format: Audio CD
Mobs, hit men, murder...what else would one expect with a title like Bullet to the Head? And let's face it, Sylvester Stallone isn't exactly known as a gentle dramatic actor. While director Walter Hill could've easily chosen a more predominant or popular composer for the musical score to an action thriller in this vein, he decided upon Steve Mazzaro. Having worked as a sequencer on The Dark Knight Rises with Hans Zimmer, and as a composer assisting Lorne Balfe on Assassin's Creed III, Mazzaro was awarded the chance to score his first feature with Bullet to the Head. All in all, his work turns out to be a refreshing take on modern scoring for similar films.

Opening track "Here's the Story" immediately introduces the resounding theme to be used throughout the score, and its sound is somewhat unexpected: a slow, bluesy, southern rock akin to a stripped-down Lynyrd Skynyrd or perhaps George Thorogood sans horns. It's very unexpected and pleasing, really digging itself into the listener with its prodding drums and tradeoff guitar and harmonica solos. Second track "Staying in the Game" maintains a similar template while introducing the other primary musical element of Bullet to the Head: soothing guitar reverb with scant melodic guitar plucking and strumming. The blues/rock and reverb interplay is used very consistently in later tracks, but in spite of its only slight lack of variation, the revisiting of either element is surprisingly welcome.

The pattern shortly deviates in a few places, like in sixth track "The Fox and the Hound," where the pace of the percussion quickens a bit but soon jumps into the more typical fare of the score, before breaking into an interesting tango structure.
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Format: Audio CD Verified Purchase
good film and music cd
shame that not all the music from the film was on the cd
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