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Buffy the Vampire Slayer and Philosophy: Fear and Trembling in Sunnydale (Popular Culture and Philosophy)
 
 

Buffy the Vampire Slayer and Philosophy: Fear and Trembling in Sunnydale (Popular Culture and Philosophy) [Kindle Edition]

William Irwin , James B. South
4.5 out of 5 stars  See all reviews (2 customer reviews)

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Product Description

"In every generation there is a Chosen One. She alone will stand against the vampires, the demons, and the Forces of Darknes. She is the Slayer . . ."

So, if you're kind of killing time between apocalypses or just wondering about that meaning of life thing, here's some readage . . . Look, these guys'll I-think-therefore-I-am you into the freakin' ground. And the happy is better than shoe shopping. What? If I don't consult the oracle I'll, like, turn to stone? Well, yeah, if not already.

This is a fascinating collection of 21 philosophical essays on Buffy and the Buffyverse.

Synopsis

Twenty-three essays by philosophers examine crucial ethical and metaphysical aspects of the Buffyverse. Though the show has already attracted much scholarly attention, this book fully disinters the intellectual issues, the author stating that the main point of the book is to demonstarte that philosophy can bring much to the watching of Buffy. In the tradition of the classic horror films "Buffy the Vampire Slayer" addresses ethical issues that have long fascinated audiences. This finds the ethical and metaphysical lessons in a pop-culture phenomenon. It explains how the nature of the forces of evil continually threaten to surge into our world of everyday decency and overwhelm it. Writer Joss Whedon designed Buffy as a multi-level story with most of its meanings buried in heaps of heavy irony and this book examines if Buffy's religious symbolism can be squared with Whedon's professed atheism. It asks is Buffy a Kierkegaardian knight of faith? What light does the show's treatment of vampires, demons and other weird entities shed on our ethical attitudes to non-humans? Does Buffy's sacrifice of her own life indicate the fatal tendency of feminist ethics to degenerate into self-abnegati

Product details

  • Format: Kindle Edition
  • File Size: 1170 KB
  • Print Length: 350 pages
  • Page Numbers Source ISBN: 0812695313
  • Publisher: Open Court (15 April 2011)
  • Sold by: Amazon Media EU S.à r.l.
  • Language English
  • ASIN: B004UFTXFO
  • Text-to-Speech: Enabled
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Bestsellers Rank: #143,385 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
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Most Helpful Customer Reviews
43 of 45 people found the following review helpful
By Martin Turner HALL OF FAME TOP 50 REVIEWER VINE™ VOICE
Format:Paperback|Amazon Verified Purchase
How seriously should we take the sub-plot of the Buffy universe?

This book is a symposium of essays, some written by noted academics, some written by students, about the philosophical issues behind Buffy the Vampire Slayer and Angel.

It's relatively serious and heavy for a Buffy-book, although seriously lightweight for a book on academic philosophy, and some of the essays are better than others.

That said, if you want to think a little more deeply about the postmodern themes underlying Buffy's popularity, then there is a lot of food for thought here, although all of it is (however convincing) speculative, and some of it has already been overturned by reinterpretations that take place in the series of Angel and Buffy that appeared after the book was published.

This is one of the risks, of course, in writing seriously about a series which exploits irony so consistently at so many different levels.

I would have given this book five stars, because it is an enjoyable read, has some important things to say, and opened my eyes to some aspects I hadn't noticed.

I'm giving it four stars, because, reading the book, I come away with the sense that the TV series, with all their deliberate affectations of lightweightedness, are much deeper and more profound than this academically-oriented book which tries to be weightier than it is.

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1 of 1 people found the following review helpful
More than a novelty 28 Jun 2008
Format:Paperback
As an avid Buffy fan and a first year Philosophy student, I found this book and clicked purchase with the smile of buying a novelty item. But after the first chapter, which crossed over at least two of the courses I had just taken, I realised it had many serious things to say. That is not to say you need any more than basic philosophical knowledge, indeed you need only to be willing to think a little, for this book presents any ideas it makes reference to in an easily accesible way. In fact, many of the ideas are portrayed more clearly and with more intrest, on the part of the author, than a few of my lecturers could! This is the kind of book needed to make the links between academic ideas, that on the surface appear difficult or boring, and the general public and I plan to buy more in the series...the Simpsons next perhaps!
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Amazon.com:  23 reviews
71 of 74 people found the following review helpful
A radical interpretation of the text 28 May 2003
By Adrianna - Published on Amazon.com
Format:Paperback
Did you love Oz in Earshot? If so, this may be the book for you.

So you are the average Buffy fan, you do not sit around with your friends weighing the Nietzchian ideal of the ubermensch, nor do you discuss Faith's fatalistic nature. Will you enjoy this book? Possibly. Are you interested in philosophy? By chance did you take some in college, even an introductory course, but it didn't make any sense? This book may bring something to the table for you and clear up your confusion regarding some theoretical stuff. The gift with purchase will be that you will learn something new along the way.

Now if you are looking at this book to be a playful romp through Sunnydale, don't buy it. It's not. It will deconstruct some characters in ways you will not like, at the same time some observations will make you roll on the floor with hysterical laughter (or that could just be me). It will definately spark some thought, and if you buy one for a friend will result in many hours of arguing fun!

As one of the Buffy faithful, and a staunch reader of Slayage, the online journal of Buffy Studies, I loved this book. I loved it so much I want to buy one for all the Buffy fans I know. I want to trot over to Marquette and kiss James South if not for this book, for his AMAZING article on Willow, and his great understanding of the season 6 transformation she made. This book makes Fighting the Forces, and Reading the Slayer look like high school term papers. This book is smart, the editing is well done, and it made me feel smarter for reading it. This is by far the best of the best of Academic Buffyverse analysis. I hope that this sets the future standard for books of this type.

The chapters that are not to be missed:
Also Sprach Faith: The problem of the happy rogue vampire slayer - Karl Schudt
My God, It's like a Greek tragedy: Willow Rosenberg & human irrationality - James South
Buffy in the Buff: A slayers solution to Aristotles love paradox - Kaye & Milavec
No Big Win: Themes of sacrifice, salvation and redemption - Gregory Sakal
Old familiar Vampires: The politics of the Buffyverse - Jeffrey Pasley

86 of 101 people found the following review helpful
Thought-provoking and entertaining 22 Mar 2003
By Tanya Marsh - Published on Amazon.com
Format:Paperback

I think that "Buffy, the Vampire Slayer" and "Angel" are, quite simply, the two best television shows today. Period. Don't get me wrong, I appreciate a wide range of television shows (I am an admitted television junkie), but in terms of emotional depth, intelligent writing, challenging storylines, and innovative and realistic characters, Joss Whedon's children are unparalleled.

Turns out I'm not the only one who thinks that the metaphors and metaphysics of the Buffyverse (to blatantly steal from Shaun Narine) are worth analyzing. In Buffy the Vampire Slayer and Philosophy: Fear and Trembling in Sunnydale, professors and students of philosophy tackle the key events, issues, and characters in the Buffyverse in a number of highly entertaining, engaging, and thought-provoking essays.

The Buffyverse has more than a few key events, issues, and characters that deserve serious debate: Buffy's role as a Slayer and her relationship to society; Faith's dalliance with good and evil; Angel's path to redemption; Buffy's self-destructive relationship with Spike; Willow's transformation from mousy teenager to Big Bad; and the metaphor which is the basis for all of it. Each of these topics are addressed by multiple authors, from different philosophical perspectives, in Fear and Trembling.

Given the timing of my review (i.e. at the end of Faith's Season Four arc on "Angel"), my mind was already on Faith, so the chapters which dealt with her were particularly fascinating to me. Is Faith's amoral pursuit of pleasure best explained by Plato or Nietzche? This book doesn't provide answers ? it provides a framework for the reader/viewer to analyze and grapple with the issues themselves. And isn't that why "Buffy" is so attractive to us in the first place?

I wish that Fear and Trembling had been in print while I was in college. It might have helped defeat my dismissive prejudice against philosophy as irrelevant and out of touch. That's the beauty part of Fear and Trembling ? it will serve both to give "Buffy" credibility in the minds of those few academics/intellectuals who are not already ardent fans and will give ?Buffy? fans a gateway into the realm of philosophy.

I found a few chapters of Fear and Trembling particularly thought-provoking. For example, several authors seized on the exchange between Joyce and Faith (in Buffy?s body) from ?Who Are You.?

Joyce: Why do you think [Faith?s] like that?
Faith: You know. She's a nut job.
Joyce: I just don't understand what could drive a person to that kind of behavior.
Faith: Well, how do you know she got drove? I mean, maybe she likes being that way.
Joyce: I'll never believe that. I think she's horribly unhappy.

A lot has been written in the Internet community regarding Faith?s unhappiness as an explanation for her behavior. Rewatching ?Faith, Hope, and Trick? the other day, I was struck by how rude and uninviting Buffy was to Faith when she first arrived in Sunnydale. Sure, Faith stormed in with a series of wild stories of nude alligator wrestling and flirted with Buffy?s closeted not-boyfriend, but Buffy was defensive from moment one. Buffy?s superiority/inferiority complex as Slayer was threatened by Faith and she never really gave her a chance. In the next few episodes, Buffy got friendlier and, by the end of Season Four, appears to have convinced herself that she had reached out to Faith. In ?Sanctuary,? Buffy tells Faith: ?I gave you every chance! I tried so hard to help you, and you spat on me. My life was just something for you to play with. Angel - Riley - anything that you could take from me - you took. I've lost battles before - but nobody else has ever made me a victim.? I think that?s a little melodramatic and overstates Buffy?s real attempt to be friends with Faith.

In my view, Buffy is the one who destroyed her relationship with Faith before it even began by lying about Angel?s return. Choosing Angel over Faith when Faith was convinced that he was evil wasn?t exactly a trust-builder. My imaginary backstory on Faith (and maybe this has a basis in the show that I can?t quite recall) is that she had an abusive and troubled childhood and as a result can?t open up and trust people. She came to Sunnydale looking for something. Clearly, Faith?s acceptance of a pseudo-familial relationship with the Mayor suggests that she could have had that kind of relationship with the Scoobies if they?d just given her a real chance. As I?ve said on many occasions, I am sorely disappointed that Eliza chose to do another project next year because I think that Faith adds a unique and rich dimension to the Buffyverse.

The third broad topic addressed in Fear and Trembling that I?d like to draw attention to is the political/legal framework of the Buffyverse. (Check out: ?Brown Skirts: Fascism, Christianity, and the Eternal Demon? by Neal King and ?Justifying the Means: Punishment in the Buffyverse? by Jacob Held.) These articles speak to something I?ve long thought about: how does the concept of the Slayer as the sole arbiter of good and evil mesh with the American conceptions of justice and due process? While some demons, etc., are clearly drawn as evil and beyond redemption (the Master, Glory, Adam, the Mayor), what do we do about the cases at the margins?

See ? I have the text (?Buffy? and ?Angel?), I have questions, and I have some insights. What I lack, for the most part, is the framework to analyze all of the random issues that pop into my head after watching an episode. Fear and Trembling provides an introduction to one possible framework, philosophy, and presents thought-provoking essays in a straight-forward, non-intimidating manner. I hope that someday they will publish a second volume that includes ?Angel? and Season Seven of ?Buffy.?

14 of 14 people found the following review helpful
A solid book of Buffy essays.... 7 Dec 2003
By Sarah Stumpf - Published on Amazon.com
Format:Paperback
One of the great strengths about this book is that the essays contained in it are fairly short. This way, you can read them slowly, and not feel overwhelmed by the high academia of some of the themes. Most essays are fairly accessable to non-philosphy folk.

There are some really great essays in this book, such as those in the sections about feminist theory. The Editor, James South, teaches a Buffy studies class at Marquette University, and his essay on Willow is also very strong. Mostly, this anthology works in comparing Buffy to classical mythology/philospohy and modern theories of redemption, feminism, and popular culture.

But there are also some real duds, such as the one by James Lawler who tries very hard to fit a square peg into a round hole by comparing Buffy to Kant. The final essay by Levine and Schnieder presents a view that Buffy is totally unoriginal in premise, writing, acting, and execution, and is really just a sucky show that people have venerated because they're dumb.

I'm not just saying that all the essays which critique the flaws of BTVS are bad, for example, one basically proposes that Buffy creates a facist state, and it is very well written even though I don't agree with the premise. But insulting your readers is never a good way to start any arguement. And certain essays suffer because this book was compiled before season 7 had aired, and their arguements no longer work.

I would reccomend this book to Buffy fans with some kind of humanities academia under their belt. I don't think one could get through this book unless they were used to reading academic papers. The language can be difficult, and sometimes the philosophy cumbersome. It is very rewarding and insightful, but certainly not light reading.

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