From the stark first scene in the subway at la defense to the equally cold winter countryside of france, blier shows us a less than saccharine version of his native country. The central character is the only warm person and though flawed, remains a pawn in the calculating game played by the lustrous carole bouquet, fresh from bunuel's "that obscure object of desire".
Quirky blier humour abounds, more of which can be sampled in "tenue de soiree", and depardieu tries to negotiate the kafka-esque plot with his trademark passionate performance.
The film sets the scene for the next decade of french arthouse cinema with a departure from narrative and structure in which blier eventually excelled.