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On many levels you can find something allegorical about this work. In one sense the old man is like a shepherd, the orchestra his flock, being brought to safety by his continuous calling. In another, the orchestra are like his faith, closing round him, like the hand of his god, protecting him, giving him strength. As I have stated, I am not religious, so for me the most profound aspect of the work is the lack of awareness this voice has of the developing accompaniment around him, his ignorance of the beauty enveloping his simple honesty, and the questions the piece evokes about the whole idea of ignorance and faith.
This is one of the oddest things I have ever heard and it is guaranteed to silence any collection of friends you choose to play it to. The tape loop of the tramp's thin voice is hypnotic and thought provoking - and also strangely disorientating, since the tune he sings seems to lose its beginning and its end as the piece progresses.
As an expression of simple faith by one who was undoubtedly excreted upon during his lifetime it is either uplifting and/or sad, depending I suppose upon your own stand on religion.
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