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Brown Street
 
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Brown Street [CD]

Joe Zawinul Audio CD
5.0 out of 5 stars  See all reviews (7 customer reviews)
Price: £16.97 & this item Delivered FREE in the UK with Super Saver Delivery. See details and conditions
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Product details

  • Audio CD (18 Dec 2008)
  • Number of Discs: 2
  • Format: CD
  • Label: Intuition
  • ASIN: B000ION5N2
  • Other Editions: Audio CD  |  MP3 Download
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (7 customer reviews)
  • Amazon Bestsellers Rank: 102,268 in Music (See Top 100 in Music)

Product Description

Amazon.co.uk Review

Recorded in Vienna, the city of Joe Zawinul's birth, this 2005 concert adapts many of his most celebrated compositions for the expanded presence of the WDR Big Band. After the triumphant opening of the propulsive eleven-minute title track, the gentle "In a Silent Way" revisits the evocative memories of Zawinul's childhood that inspired him to write the piece over forty years ago. While this hour and a half of music draws from Zawinul's past, it is never dependent upon nostalgia. Rather, the bold new settings show how vibrant the writing remains. Zawinul's core quartet (with percussionist Alex Acuna, bassist Victor Bailey, and drummer Nathaniel Townsley) can be as ferocious and supple as any of Weather Report's line-ups. Everything from the atmospheric quietude of a piece like "A Remark You Made" to the world funk of "Black Market" is given its full due by this sprawling yet controlled 19-piece ensemble. --David Greenberger

BBC Review

The last album Joe Zawinul released in his lifetime is a reminder of just how accomplished an artist he was. The boy who came down from the Austrian mountains and left the Vienna Conservatoire to live in America in1958, had a real ear for melodies that could be as light as a feather or pummel you with the kind of sub-sonic thump. Being at ease within these two aspects of his compositional personality was the secret weapon that propelled his career. His genius was that he rarely overplayed either.

Though several of these tunes incorporated a brash rock-orientated dynamic in their original settings you'd never know that from this collection, sounding as though they were destined for this large-scale brassy setting from day one.

Recorded in 2005 in Zawinul's own jazz club, from the opening shuffle of the title track, the feelgood factor has been set to max via Vince Mendoza's astounding arrangements. The '60s-born, Grammy-winning composer/arranger grew up listening to Weather Report and his respect and grasp of the all-important groove upon which Zawinul placed such importance, rightfully dominates.

With ex-Reporter's Victor Bailey on bass and Alex Acuna on percussion augmenting Zawinul Syndicate drummer, Nathaniel Townsley, all on towering form, it is the top-drawer quality of the ensemble and solo playing of the WDR Big Band that consistently catches the breath. New York trumpeter, John Marshall offers velvet-smooth smooch around a touching, opulently romantic rendition of ''In A Silent Way'', whilst the athletic racing of Paul Heller's tenor shows how young player's respond to challenge of something as tricky to navigate as ''Fast City'' from WR's 1980 Night Passage.

It goes awry only very occasionally. The normally joyous ''Black Market'' canters a touch too sedately for it to ever really take off in the way we know it can.

Despite Zawinul's propensity to make swaggering pronouncements about his talents, his soloing was always more akin to skimming pebbles across incoming waves than surfing for glory in his outfits before or after Weather Report. Here, with the massed ranks of brass largely liberating him from providing the textured layers within his compositions, Zawinul is heard constantly sending mischievous, darting runs of notes between the big band breakers, teasing and tugging in all the right places.

For all his ability to move with the times, be it adding a soulful stitch to Cannonball Adderley's funky apparel, infusing Miles Davis' music with a pungent European twist, or hard-wiring electronics into the body of jazz itself, Zawinul never lost touch with either his roots or their traditions. The melodic and harmonic depth that informs the spacious compositions were always designed to provide a scorching back-drop for players to blaze brightly. In this respect he always proved an incredibly generous accompanist and writer.

Brown Street resounds triumphantly to these winning facets of his character and Zawinul must have been rightly proud of what he had achieved here. A better memorial to his thrilling abilities than this 2 CD set it's difficult to imagine. --Sid Smith

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Most Helpful Customer Reviews
23 of 23 people found the following review helpful
outstanding! 1 Dec 2006
Format:Audio CD
I've been a fan of Joe Zawinul for many years, like a lot of people through Weather Report, and then finding his collaborations with Miles Davis (Silent Way etc) Its always an event when Mr Zawinul issues a new release, some of them lately have been great. BUT THIS! this is wonderful. Kicking off with Brown Street that really swings, a beautiful reading of In a Silent Way, and a brilliant version of Fast City. Each track gets better and better until Carnavalito. After hearing Jaco's Big Band releases I've often wondered what a big band treatment of Joe Zawinuls music would be like. Now we know. Brilliant.
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13 of 13 people found the following review helpful
Sweet Thunder 15 Feb 2007
By Zenkoji
Format:Audio CD
If you haven't yet heard this album, hold onto your seat. It is a blistering recreation of the power and spirit of Weather Report, presided over by Zawinul, but realised by a great big band. The arrangements are by Vince Mendoza, who also deserves massive credit: Mendoza is also a guiding light on another of the all-time great jazz albums, John Abercrombie's Animato. Along with power, there is great lyricism and subtlety, particularly in a moving account of A Remark You Made.

Well, I don't want to be greedy, but if I could have a wish, it would be for a second volume of this stuff, to include, say, Canonball, Birdland, Madagascar. Weather Report was a wonderful, creative partnership between Zawinul and Shorter, but Zawinul was the guiding spirit. Awesome.
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21 of 22 people found the following review helpful
Streets Ahead! 20 Dec 2006
Format:Audio CD
Joe Zawinul is one of the mercurial geniuses of 20th century music. His sonic conception is pan-continental, marrying the rhythmic complexities of Africa and South America with the European sensibility for yearning melody and the American capacity for groove and funk. In other's hands this would be an ungainly melting pot, but in Zawinul's it works quite beautifully. Weather Report (WR), which he co-founded with Wayne Shorter, was one of those bands whose seemingly effortless capability masked extraordinary complexity, talent and sophistication. Zawinul's post-Weather Report offerings, whilst usually a cut above, have also at times seemed less spacious and distinctive; excitingly rhythmic but lacking some of the richly vibrant colouration that made WR so memorably enjoyable.

Now a youthful 74, Austrian-born Zawinul and the marvellous WDR Big Band from Cologne have brought Weather Report's legacy into the 21st Century courtesy of some marvellous Vince Mendoza arrangements. If you thought that WR were just too electric to work with traditional acoustic brass, and just too tight and polyrhythmic to work with a Big Band, then Brown Street will prove you wrong. In fact the blend of brass and Zawinul's ringing synthesiser sounds is a wonderful blend, and it is often hard to hear which is which. Zawinul's chosen rhythm section of Victor Bailey, Nathaniel Townsley and Alex Acuna drive things forward at a cracking pace whilst the 14 piece WDR brass cohort bring a shouting acoustic freshness to familiar themes. The result is some marvellously fresh treatments for some long-familiar pieces including, `In A Silent Way', Jaco Pastorius's achingly gorgeous `A Remark You Made' and the grooving `Boogie Woogie Waltz'. Recorded live at "Joe Zawinul's Birdland" in Vienna in front of an appreciative audience, Brown Street is a delight that could only be bettered by the inclusion of Zawinul's trademark `Birdland', if only to put Maynard Ferguson and Buddy Rich's Big Band versions to rest. Now who said jazz was purely an American art?

Paul Kelly
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