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Broken CD


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Amazon's Soulsavers Store

Music

Image of album by Soulsavers

Photos

Image of Soulsavers

Biography

“The light grows, a white flower/ It becomes very intense, like music” – (from “The Light The Dead See” by Frank Stanford).

“There was no real script,” says the laconic Rich Machin of SOULSAVERS’ extraordinary fourth album THE LIGHT THE DEAD SEE, a set of songs of majesty and momentum. “It just rolled and rolled; it was ... Read more in Amazon's Soulsavers Store

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for 8 albums, 3 photos, discussions, and more.

Frequently Bought Together

Broken + It's Not How Far You Fall, It's The Way You Land + The Light The Dead See (Bonus One DVD)
Price For All Three: £30.00

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Product details

  • Audio CD (17 Aug. 2009)
  • Number of Discs: 1
  • Format: CD
  • Label: V2 Cooperative Music
  • ASIN: B002B71TEQ
  • Other Editions: Audio CD  |  Vinyl  |  MP3 Download
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (13 customer reviews)
  • Amazon Bestsellers Rank: 29,860 in Music (See Top 100 in Music)

1. The Seventh Proof
2. Death Bells
3. Unbalanced Pieces
4. You Will Miss me when I Burn
5. Some Misunderstanding
6. All the Way Down
7. Shadows Fall
8. Can't catch the Train
9. Pharoah's Chariot
10. Praying Ground
11. Rolling Sky
12. Wise blood
13. By My Side

Product Description

BBC Review

When Soulsavers recorded 2007's It's Not How Far You Fall, It's How You Land they were out of contract, scraping by on credit cards and had just begun working with Mark Lanegan; not known for his frivolity. Unsurprisingly, it emerged as dark and depressed. Two years, a major label record deal and mountains of ecstatic reviews later, and the duo's prospects have brightened considerably, though their sound - as their fans will be relieved to hear - has not.

Like its predecessor, Broken fuses delta blues, grizzled gospel and comedown electronica to create an atmosphere that is both grand and bleak. In fact, on initial listens the mood is so downbeat that songs blur oppressively into each other, not helped by a hoary blues vocabulary where blood is always ''cursed'', wounds ''never heal'' and bones are always ''weary.''

Understandably, many will lack the appetite for second helpings. But for those who persevere, there are enough gleams of light poking through the cloud cover, and enough slowly revealed surprises to make the effort worthwhile. So while Death Bells is too dourly self-regarding to truly love, and the long, creaky Gene Clark cover Some Misunderstanding sounds distressingly like Chris Rea, other songs see Soulsavers live up to their considerable reputation.

One is Unbalanced Pieces, where the solemnity of Lanegan's central melody is lifted by a skulking, hypnotic bass and one of the album's few big, hummable choruses. You'll Miss Me When I Burn is far starker, based around little more than a mournful, circling piano, but is all the more moving for its simplicity.

Unusually, the album saves its best surprises for the end, when Red Ghost makes a late, strangely uplifting appearance. On the sweet, sad-eyed lullaby of Praying Ground, the Australian sings with an authority and assurance remarkable in a newcomer. Even more boldly, she more than holds her own on her duet with Lanegan, Rolling Sky, which is as menacing and unpredictable as an approaching storm.

Broken is probably too stubborn and idiosyncratic to win over many who haven't already acquired a taste for either Soulsavers or Lanegan. But those who have are likely to love it deeply and fiercely. --Jaime Gill

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Customer Reviews

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Most Helpful Customer Reviews

9 of 10 people found the following review helpful By The Wolf TOP 100 REVIEWERVINE VOICE on 29 Aug. 2009
Format: Audio CD
More splendidly gloomy stuff from Messrs Machin and Glover
and their estimable collaborators.

Dark, funereal and strangely uplifting on occasion, 'Broken' is
music for a night in with a good bottle of red wine for company
( a Romanee-Conti or Richebourg would do nicely ).
Ideally the wind will be lashing the rain
mercilessly against your windowpanes.

Opening track 'The Seventh Proof' is a beautifully
constructed instrumental overture.
The tolling bell is an inspired little detail.
The reflective prelude is swept away by the violently raucous
mayhem of 'Death Bells', a composition redolent of Nick Cave
in one of his big, bad evangelical preacher moments.
You can almost smell the fire and brimstone !

Mr Lanegan, though clearly leader of the pack, is not alone
in providing some marvellous moments within the 13 tracks
comprising this largely gloomy (in a good way) collection.
Red Ghost's duet with him on 'Rolling Sky' is a richly layered tour de force.

Richard Hawley's contribution to 'Shadows Fall' also deserves a special mention.

There is an almost cinematic quality to many of the songs.
Songs for sinners and saviours and imaginary westerns.

The fiercely emotional intensity of 'You Will Miss Me When I Burn' is almost
unbearable. "When you have no-one no-one can hurt you" - Ouch indeed !

'Praying Ground' has garnered some criticism for Ms Ghost's performance. I loved it.

So too her rendition of final track 'By My Side',
a very moving conclusion to a very fine album.

Almost certainly a strong contender for inclusion in my top ten albums of 2009.

Essential.
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9 of 10 people found the following review helpful By Lewis Greenhow on 18 Aug. 2009
Format: Audio CD
This album is as close as us Lanegan fans have gotten to a new solo album in quite a while, with Bubblegum, his last, having just celebrated its 5th year of existence. The sheer quantity of tracks here featuring the familiar 'Warmth At The Back Of Your Throat After A Shot Of Whisky' vocals is sure to keep us lot happy for a while.
Compared to his for the most part subpar collaborations with Isobel Campbell, and his comfort zone in the Gutter Twins (not that Saturnalia wasn't a great album), Lanegan really stretches himself on this one. You'll have your heart broken again and again, in the sweetest sense possible. Tales of regret and inner turmoil have always been the Lanegan standard, but here the vocal meoldies soar just that bit more due to the production work - Mark's voice sounds richer because of the sheer amount of musical embellishment behind his voice. Be it wall-of-sound guitars, amazing back-up harmonies, maturely put-together string sections or a wealth of backup singers (including Gibby Haynes of the Butthole Surfers!!) who are in their own right well-known enough to carry a song by themselves but who are humble enough to just add to them.
However, the extra star missing from this review is due to a genuinely uninspired Lanegan cover from newcomer Red Ghost. Like many people I had talked to prior to the release of this album I got myself into a bit of a state in anticipation of this new Lanegan interpretation, 'Praying Grounds'. Being that the cover of 'Kingdoms of Rain' from their last album, It's Not How far You Fall, It's The Way You Land, was completely astounding and added to the songs without taking anything away from it (not an easy thing to do to a classic such as KoR), I was looking forawrd to this a lot.
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1 of 1 people found the following review helpful By klaher on 24 April 2010
Format: Audio CD
The album kicks off with a beautiful piano-led piece, The Seventh Proof, before crashing into the most uptempo track, Death Bells. This is a kind of standard-issue Lanegan rocker, searing along nicely with Lanegan singing like his life depended on it. Following this is the real meat of the album.

Unbalanced Pieces is a slow-burning, loping track which bops along nicely in the manner of Paper Money from their previous album but then kicks into a great melodic chorus, driven by female backing vocals. Following this is the desolate You'll Miss Me When I Burn, a cover of a Palace Brothers song. Lanegan delivers the performance of his life delivering lines like "when you have noone, noone can hurt you" over a sad piano backing.

Some Misunderstanding follows, a Guy Clark cover with again a wonderful vocal from Mark Lanegan. He sounds bruised and beaten, yet the overall effect is life-affirming and uplifting.

The next 4 songs are also Lanegan-sung and all the better for it. Each one of them would be a standout on a different album, and each one is heavy with emotive power. Shadows Fall, for example is a soaring string-led song with exquisite backing vocals which takes a sharp left towards the end of the track into another fantastic melody. The melodies on this album are in general stronger than those on their previous album, It's Not How Far You Fall, It's The Way You Land.

The album then introduces a female singer called Red Ghost, who covers Lanegan's own Praying Ground. She does this one and 2 other tracks reasonably well, though her tracks are not as strong as Lanegan's.

Also, there are a host of collaborators on other tracks (Gibby Haynes, Mike Patton, Richard Hawley and Jason Pierce) yet all of them suffer in comparison with Lanegan's dominant voice, rendering them barely audible.
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