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Amazon.co.uk Review
Producer Dave Newfeld nurtures the same meticulously shambolic production style that made YFIIP such a messy joy, encouraging the band to embrace an even more sprawling and inventive aesthetic. Tracks "bleed" into one another like Rothko colours, but the sheer amount of people involved--ten key members plus several guests including Feist and rapper K-Os--lend the project a quite astonishing diversity. Despite a dense squall of sound often obscuring lyrics and sonic detail, the collective’s sub-pop chops consistently ring out in a triumphant flurry of catchy hooks, hypnotic riffs and compelling melodies. As big as the sky and as fluid as a dream, Broken Social Scene is that rare thing: an experimental album that actually rocks. --Paul Sullivan
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If you liked Broken Social Scene 'You Forgot It In People' then in all probability you will wish to hear this too, but I guess you already know that. If you like any/all of Stars, Metric and Feist you need this – as Amy Millan, Emily Haines and Leslie Feist provide almost all the female vocals here, backed up by Torquil Campbell (Stars) on male vocals and a whole host of talented musicians who all come and go with the tracks, for Broken Social Scene is a ‘collective’ and not a ‘band’.
Something in me tells me that, as such, it shouldn’t really work as a cohesive unit but the undeniable fact is that on this album it does – so much so that, despite my original intention, I’ve now decided not to name tracks – it is an album best listened to in its entirety. As you might expect it is an album that generally wears its heart on its sleeve. It does often have a fairly clear political edge – that is predominantly anti-war, anti-Bush – which is hardly surprising given the conspirators previous convictions.
The bonus EP ‘To Be You and Me’ alluded to above, which is mostly much more biased towards electronica than the album it accompanies, starts with ‘Her Disappearing Theme’ on which the only vocals are distorted whispers. The abstract theme seems set to continue with the happy/harmless start of the next track, but during the first minute the mood changes entirely. Perhaps deemed too risky for the album itself this six-minute-long anti-war epic, ‘Canada vs. America’ evolves in a way that is surprising. This is very much a song on the offensive, and thus Metric’s ‘Succexy’ comes to mind, but so does Stars’ ‘Celebration Guns’, which is in comparison very contemplative. Either way this is an excellent track. The next two tracks subside into dreamy electronica only to wake somewhat bleary-eyed with ‘All My Friends’, a fairly standard emo-track.
Major Label Debut (Fast) is a version of track 5 on the LP Broken Social Scene. The EP closes with ‘Feel Good Lost Reprise’, an instrumental full of woozy electronic keyboards rather similar to those with which it opened.
Favourite tracks are Shoreline, Hotel, Swimmers, Windsurfing Nation. Its All Gonna Break is a great ender, a great rock out.
This is what music is about. More bands like BSS please!
Also good is the album 'You Forgot it In People'- this being the slightly better- but I highly recommend both as invaluable additions to any music collection.
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