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Broken Flowers [DVD] [2005]
 
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Broken Flowers [DVD] [2005]

DVD ~ Bill Murray
3.1 out of 5 stars See all reviews (35 customer reviews)
RRP: £15.99
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Frequently Bought Together

Broken Flowers [DVD] [2005] + Lost In Translation [DVD] [2004] + Little Miss Sunshine [DVD] [2006]
Total RRP: £53.97
Price For All Three: £12.94

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What Do Customers Ultimately Buy After Viewing This Item?

Broken Flowers [DVD] [2005]
81% buy the item featured on this page:
Broken Flowers [DVD] [2005] 3.1 out of 5 stars (35)
£3.98
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Product details

  • Actors: Bill Murray, Jeffrey Wright, Sharon Stone, Tilda Swinton, Julie Delpy
  • Directors: Jim Jarmusch
  • Format: PAL, Widescreen
  • Language English
  • Region: Region 2 (This DVD may not be viewable outside Europe. Read more about DVD formats.)
  • Aspect Ratio: 1.78:1
  • Number of discs: 1
  • Classification: 15
  • Studio: Momentum Pictures
  • DVD Release Date: 20 Mar 2006
  • Run Time: 101 minutes
  • Average Customer Review: 3.1 out of 5 stars See all reviews (35 customer reviews)
  • ASIN: B000CR6X52
  • Amazon.co.uk Sales Rank: 8,319 in DVD (See Bestsellers in DVD)

Reviews

Amazon.co.uk Review
Don Johnston is an empty man. He’s not short of money, thanks to his considerable success with computers, but he is short of emotion, and very much alone. Yet as the latest woman in his life exits stage left, he receives a mysterious note. In it, he learns of a son he never knew he had, with no clues whatsoever to his identity. And so begins Broken Flowers.

Primarily a road movie, it follows Johnston as he tracks back over his past romances and flings, in an attempt to find out who mothered his child, and ultimately, to meet his son. It’s not a task he’s too keen on, and one primarily undertaken at the urging of his next door neighbour. Yet it does make for a compelling film, anchored by yet another superb performance from Bill Murray, as Johnston.

The equal of his work in Lost In Translation, he’s very much the heart of this slow, diligent movie, that doesn’t answer the majority of the questions it poses, yet proves to be something well worth seeking out. And he’s well supported too, not least by Sharon Stone, who turns in lively, yet measured, work as one of Johnston’s exes.

Still, Broken Flowers is clearly not a movie for everybody, with its relaxed pace and willingness to not worry about ticking every box unlikely to earn it truly mass appeal. But it is a little gem in its own right, and a strong addition to an already weight back catalogue for indie moviemaker Jim Jarmusch. It’s worth it alone for Murray, yet Broken Flowers is a movie with plenty else going for it too. Perhaps you might like to give it a try…?--Simon Brew

Synopsis
With 'Broken Flowers', staunchly independent filmmaker Jim Jarmusch delivers one of his most pleasing, accessible pictures. Winner of the 2005 Grand Prix at the Cannes Film Festival, the film tells the story of Don Johnston (Bill Murray), a man overflowing with wealth but void of emotion. On the day that his most recent girlfriend (Julie Delpy) has given up on him for good, he learns, through an anonymous letter, that he might be the father of a 19-year-old boy. Spurned into action by his wannabe private eye neighbour, Winston (Jeffrey Wright), Don sets off on a personal journey to visit the former partners who may or may not have mothered his child. They include the flighty Laura (Sharon Stone), whose daughter Lolita (Alexis Dziena) certainly lives up to her name; the uptight Dora (Frances Conroy), who has settled into a sterile life with her chipper husband Ron (Christopher McDonald); the strangely distant Carmen (Jessica Lange), who makes a living as an Animal Communicator and, finally, Penny (Tilda Swinton), a hard-edged biker who is the least happiest to see Don. Each confrontation leaves Don feeling more lost than the last, spinning him into an even greater state of apathetic confusion. In typical Jarmusch fashion, he wrote the script for 'Broken Flowers' with his casting firmly in mind; only Murray could play this role. The result showcases Murray's brilliance as a less-is-more presence. Jarmusch also gives some of Hollywood's most talented female actresses roles they can relish. A hundred percent Jarmusch, 'Broken Flowers' is a wry, tender, and bittersweet portrait of a man who is drifting aimlessly through life.


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Customer Reviews

35 Reviews
5 star:
 (8)
4 star:
 (8)
3 star:
 (6)
2 star:
 (7)
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Average Customer Review
3.1 out of 5 stars (35 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
6 of 7 people found the following review helpful:
4.0 out of 5 stars Murray is resplendent as a dead man walking, 19 Mar 2008
Bill Murray is a minimalist joy in Jim Jarmusch's latest offering, Broken Flowers. Don Johnston (Murray's character) is a man going through the motions. Out of the blue he receives an unsigned letter from an anonymous former lover announcing she gave birth to Don's son nineteen years ago. With his friend, Winston (Jeffrey Wright), he narrows down the list of possibilities to four likely candidates. Soon Don hits the road in search of the son he never knew he had.

Sharon Stone is up first as Laura, a race-car driver's widow raising a teen daughter, Lolita (Alexis Dziena), whose name says it all. Next he visits prim and proper Dora (Frances Conroy of Six Feet Under), who claims to be infertile. Then he's off to visit Carmen (Jessica Lange), an animal communicator. She bristles when Don asks about kids, but claims she's never had children. The last visit is to see Penny (Tilda Swinton - my favorite of the film), a biker-chick who can't stand the sight of Don and has a friend rough him up.

Murray is resplendent as a dead man walking. His responses so muted that at times you want to put a mirror under is nose just to make sure he's still breathing. Fans of action films will no doubt hate Broken Flowers, but for the rest of us it's a real treat.
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3 of 3 people found the following review helpful:
4.0 out of 5 stars May be Jarmusch's Most Accessible Film Yet, 16 Jul 2007
By Kasey Driscoll - See all my reviews
(REAL NAME)   
Broken Flowers is about a lonely retired former womanizer played by Bill Murray. His name is Don Johnston, a "Don Juan" if you will, who receives a random letter in the mail from an unnamed former girlfriend. The letter indicates that Don has a son who has just begun a trip to search for his father. Don seems somewhat indifferent to the news but given the theme of the film it's likely that he is more tired of life and perhaps a bit self-absorbed than actual indifference, as this news is something that will eventually serve to re-awaken Don and perhaps it gives him just the self-interest he needs to live life with renewed vigor. In that sense, the story of Don is an existential tale more so than one with a conventional end. The film offers us means to complete a nice story of a father's union with his son that he's never met. But director Jim Jarmusch is not conventional and he is too smart to throw such a trivial narrative our way.

At the suggestion and great enthusiasm of his friend and neighbor Winston, Don is convinced that the search for this former girlfriend and the mother of his son is a worthy undertaking. So he goes off to find five of his former girlfriends at the time his son would've been born (about 20 years ago). One, Michelle, has passed away and he visits her grave and seems to express more reverence for her than the others...he even tells Winston he loved Michelle and she is the only one he says that about. Another is Laura played by Sharon Stone. Don gets to sleep with Laura again and he doesn't seem as surprised as I was when Laura's flirty teen daughter Lolita walks about the house in nothing but her epidermis. Her overt sexuality probably mirrors that of her mother's and Don seems unfazed by it...great dead pan acting once again by Bill Murray. Dora is another former girlfriend and she is played by Frances Conroy. Dora seems to contain an underlying regret in her decision to choose a lifestyle completely different than the one she practiced when Don met her. Jessica Lange plays another former girlfriend who works as an animal communicator. All three of these women seem to initially react quite positively to Don and are pleasantly surprised to see him, but they are still interesting and unique in their own ways. Finally, Penny is played by Tilda Swinton and seems to be the only former girlfriend that is really disgusted with seeing Don. I won't reveal how Don's journey ends but I will say that he is given an opportunity to reflect on his life during his travels, and that is something he badly needed.

Perhaps Broken Flowers doesn't ask that we read into the clues as to who sent the letter and if Don will find his son. If you look carefully in the credits and perhaps watch the movie again you will find some decent resolution to those questions but that isn't necessarily what Jarmusch is telling us about Don. Broken Flowers is not about a father meeting his son as much as it is about a man becoming a father.

To note further on the film's content, I must say that I always enjoy the atmosphere of a Jarmusch film, as much as they may require a bit of patience. Some will find it to be a slow movie but it is both fascinating and funny. In my humble opinion, it also happened to have the best soundtrack of 2005.
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12 of 15 people found the following review helpful:
4.0 out of 5 stars Prepare to learn nothing, 14 Aug 2006
Forgive the rather negative connotations of this title, as this is in fact a very good film. Broken Flowers, however, is not the kind of cinema experience that will be to everybody's liking. If you like a film with a definitive beginning, middle and an end then this is probably not for you. If, on the other hand, you are not frustrated by a film that ask many questions without ever answering them and ends just as it begins, then it is well worth a look.

Don, played expertly by Bill Murray, is a wealthy but lonely man. An aging lothario, he has all the privileges money can buy, but nobody truly special to share it with. As his latest lover walks out on him, he receives and anonymous letter telling him that he has a son. What's more, he has left home to find him. Spurred on by his effervescent neighbour, Winston, Don embarks on a reluctant trip down memory lane to find the mother amongst his numerous ex - loves.

What makes this film so good, in my view, is that it challenges the audience. We know virtually nothing of Don's character, and the sparse script doesn't assist us in this. Nor do we ever find out who the mother is despite clues at every turn. A teenage boy appears at the end, but despite a dialogue with Murray, we are none the wiser

Don is emotionally frozen, seemingly unperturbed by the thought that he may have been a father for some years. Murray projects this with a finely tuned combination of monosyllabic lines and fleeting facial expressions - reminiscent of Richard Geere's deliberately stilted performance in "Unfaithful".

There appear to be two main themes to this film. The first is the Sartrean notion that life is what we make it. We masters of our own destinies and nothing in life is certain except death. Director Jim Marmusch nods at this idea when Murray learns that one of his former loves has since died, and pays an emotional visit to her grave.

The film begins with Murray sitting alone in his spacious house, and ends with him standing alone in the middle of a road with others going off in different directions. You do not need to be a genius to see the symbolic nature of the first and final shot. Further existential weight is added by the dichotomy between Don who is rich yet lives alone, and Winston, who is clearly hard up but has a wife and five children.

Secondly the notion of revisiting the past is brought through. We have probably all wondered at some time what became of our past loves, but very few of us will ever find out. Murray has this dubious privilege, but doesn't like everything he sees. It seems to beg the question - should we keep the past alive or leave it well alone?

This is a very competent film, yet should come with a warning - watching this can seriously damage you patience!
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Most Recent Customer Reviews

5.0 out of 5 stars Slow magic
Broken Flowers has a similar pace to Lost In Translation (so not one for action fans) and Bill Murry's character is similar in both movies. Read more
Published 5 months ago by David Powell

5.0 out of 5 stars a gentle stroll with a melancholy man
This is not a fast paced wham-bam-thank-you-mam popcorn movie, it is a leisurely journey with a man trying to come to terms with his past. Read more
Published 11 months ago by mr flaps

2.0 out of 5 stars Painful Watching
There's quirky, fun, amusing and thought provoking films out there but sadly, this is not one of them. Read more
Published 12 months ago by F. Roberson

3.0 out of 5 stars Dead-pan drollery on a road-trip with an all-star cast
The thing that raises this film above the average is its supporting cast - all the old flames Don (Murray) visits have brilliant cameos; Jeffrey Wright as his best pal Winston... Read more
Published 14 months ago by Annabel Gaskell

5.0 out of 5 stars Excellent slow moving drama
Bill Murray (Groundhog day) stars in Jim Jarmusch's Broken Flowers, a story about a lonely closed off man who receives a letter from one of his former girlfriends telling him that... Read more
Published 15 months ago by Stampy

3.0 out of 5 stars Yes it's slow, but who said there was anything wrong with slow?
In this movie

The camerawork is mundane
The characterisation is patchy
The dialogue is simple
The jokes don't come thick and fast
There are no... Read more
Published 19 months ago by Adam D. Bisset

1.0 out of 5 stars Tedious
The most tedious film I've ever sat through.
Bill Murray looking miserable on a couch, in a plane, in a car - looking miserable and uncomfortable meeting an awkward ex... Read more
Published 20 months ago by MJ

5.0 out of 5 stars Truth
This is a good movie.

Reviews which state otherwise are wrong, please delete them.
Published 21 months ago by A. Dirkse

1.0 out of 5 stars Pretentious wilted rose
An absolute dud. One of so called 'art' films which tries to hide the fact that the writer does not have the skill to end the story by them just cutting it with no ending, and... Read more
Published 21 months ago by Patrick.S

5.0 out of 5 stars Recommended
If you're into Steve Martin films, then you won't like this one. Hence the 5 stars.
Published 23 months ago by A. Rautenberg

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